Tag Archives: Release

Top 5 Albums of 2007

Wow, I can’t believe this is already the fourth year I’ve been doing this. I am truly an old fart because the years really are flying by now. That’s what happens when you’ve made 34 trips around the sun. I’m just scared to think what it’ll feel like when I’m 60.

Well enough angst. Let’s talk music. And there’s a lot to talk about: 2007 has, for my tastes at least, been an unparalleled year for new music. I would have a hard time identifying a year that’s produced more great music without going all the way back to 1971. (And I wasn’t around to experience that firsthand.) So, without further ado, here we go.

5. Rush: Snakes and Arrows
I’ve been a Rush-head for over half my life now. A sad fact of a band this long-lived and prolific is watching the quality of their output deteriorate over time. The band’s last full-length album, 2002’s Vapor Trails, was surprisingly good musically, but suffered from some of the worst production in the last several decades. The band had been enthusiastically touting Snakes and Arrows for several months before its release, and with good reason. The album is phenomenal. Easily their best work since 1984’s Grace Under Pressure. Great, rocking music, with more dynamics and variety than we’ve heard from the boys in years; lyrics with surprisingly deep insight into the woes of early 21st century American society; first-rate production; and… well what can I say? Three instrumentals. It just doesn’t get much better in the Rush canon.
4. Michael Brecker: Pilgrimage
Michael Brecker was at the pinnacle of the post-Coltrane jazz world for upwards of 30 years. Late last year he was diagnosed with terminal leukemia, and with less than 5 months to live, he put together a final farewell to those of us who’ve followed his brilliant music over the years. This album is full of moments of profound beauty and intense burning jazz as full of life as anything he’d ever done. Sadly he did not survive to see the album released, but it remains a fitting good-bye to this jazz legend.
3. Wilco: Sky Blue Sky
I’ve enjoyed Wilco’s music since Yankee Hotel Foxtrot, and have been fascinated to hear the evolution of the band’s sound on each album. This is very much back-to-basics, and it works extraordinarily well. It’s simply not possible to listen to this music and not feel good. In a good way.
2. Radiohead: In Rainbows
This is the album it seems everyone was talking about in October. It may still see a traditional release in stores in 2008, but so far it’s only available as a pay-what-you-want download from the band’s website. But that in no way means it’s inferior work. The band has covered some challenging musical ground in the past decade since the release of their masterpiece, OK Computer, and this album bookends that one nicely. (There’s plenty of speculation out there that the albums really were intended to integrate in Wizard of Oz/Dark Side of the Moon style, but I’ll leave that to the stoners to prove.) If you haven’t already, download it now. What are you waiting for? (I assume you are wondering what, if anything, I paid for it. Well, I sucked it up and bought the £40 deluxe package, which should be arriving next month.
1. Foo Fighters: Echoes, Silence, Patience & Grace
I loved In Your Honor so I was eagerly awaiting the release of this album and it did not disappoint! From the lead single “The Pretender” straight on through, the band displays brilliant songwriting, impeccable chops (these guys can really play, and if you doubt that, be sure also to check out drummer Taylor Hawkins’ guest work on Coheed and Cambria’s No World for Tomorrow), and a wide stylistic and dynamic range. Dave Grohl’s voice matches the music perfectly, from a delicate whisper to a larynx-shredding scream. The best album of a great year of music.

As I said, it’s been a great year for music. It was hard to narrow the list down to 5. Here, in no particular order (OK, they’re alphabetical by artist), are some of the other great albums I enjoyed this year:

The Bad Plus: Prog
Beastie Boys: The Mix-Up
Circa Survive: On Letting Go
Coheed and Cambria: No World for Tomorrow
Dream Theater: Systematic Chaos
LCD Soundsystem: Sound of Silver
Minus the Bear: Planet of Ice
Nine Inch Nails: Year Zero
Pinback: Autumn of the Seraphs
Porcupine Tree: Fear of a Blank Planet
Room 34: Highway 34 Revisited (Had to put in a bit of self-promotion!)

And there are a few others that just missed the cut, like The Dear Hunter and Portugal. The Man. (“Portugal. The Man.” is one band. You have to give them credit just for the audacity of that band name.)

Speechless? Obviously not.

I’ve been on a big Ubuntu kick lately. Ubuntu is the Linux distribution (derived from Debian) that is finally within sight of the elusive goal of producing a “desktop Linux for the masses” as they say. The latest version just came out last week. I’m so impressed with it that it’s distracted me significantly from the upcoming release of the next version Mac OS X. (OK, I do still remember that it’s coming up this Friday, and yes I probably will be queuing up outside the Apple Store this Friday.)

Anyway, I’ve also spent a lot of time reading everything I can pertaining to the new Ubuntu release, including, with great relish, articles wherein longtime Windows users profess their star-crossed love for this newest Linux release. Often the comments are as interesting (or more) than the article itself. Such was the case with this article from the UK branch of ZDNet. A comment there was so funny that I feel I must simply share it here in its entirety:

Microsoft’s now promoting Vista with a campaign called “100 reasons why everyone’s so speechless”.

I looked. #23 is “Because it’s like a digital candy store.”

Puh-leeze. Bring up the Adept Manager in Ubuntu. Now _that’s_ a digital candy store. Over 20000 applications for doing almost anything you can imagine, and quite a few things you can’t. Running Vista is like being in a candy store that only sells black liquorice (I _hate_ black liquorice) at exorbitant prices. Oh, and you’re only allowed to eat the candy in the store. Plus each individual piece is really small and is wrapped in seven layers of cellophane, and the store won’t let you throw the wrappers away. You have to take them with you and throw them away at home. Plus they set off a grenade in the chocolate store across the street in the middle of the night and mugged the proprietors of the penny candy stand. Oh, and Microsoft are the ones behind the urban legend that red M&Ms cause cancer. That’s the kind of candy store Vista is.

The Microsoft page in question, 100 Reasons You’ll Be Speechless, is pretty ridiculous. I have yet to encounter in my day-to-day life a single person who has even acknowledged using Vista, much less anyone who’s actually impressed with it. But as I perused the first dozen or so “reasons,” I could find nothing that isn’t already more-or-less present in Mac OS X, Ubuntu, or some readily available specialty device (like AppleTV) that interfaces easily with one or both of those OSes. And I won’t even get started on the usual litany of complaints about Windows. But the “100 Reasons” probably still makes for an entertaining read… if you’re really desperate for entertainment. (Then again, you probably have plenty of other, superior sources of entertainment at your disposal at this very moment, so why not choose them instead?)