Google is no longer a search engine

This is old news, but it’s a useful demonstration of what absolute garbage Google has become as a search engine. It is now an ad engine.

The scenario: I need to set up WordPress Multisite. I’ve done this several times, but since I only have to do the initial setup once every 2-3 years, it’s not something I have memorized. So… I google it! That’s what you do in the 21st century.

So, I went to Google and typed:

'WordPress Multisite installation' Google search

Now, the real solution to this that a smart search engine, which was designed for maximum usefulness as a search engine, would be to provide a link to the official WordPress documentation on the topic.

Is that what it returned? Of course not, silly! It returned four ads, which, depending on your window size, could take up the entire screen:

Google ad results
But then, the first “organic” result should be the official documentation, right?

Wrong!

The first organic result is a page from the dreadful wpbeginner.com, which is overflowing with the most verbose, poorly written, surface-level articles that are designed not to be genuinely useful but to ensure that Google’s search algorithm places them exactly where it did in these results.

Yes, of course, I did click the wpbeginner.com link, because I always do, and then I get annoyed with myself for falling into their trap. And multilingualpress.org is not much better… and also always near the top of the results.

Then, of course, before we finally get to the page I really was looking for, Google makes one last ditch effort to keep me from going where I want to go, by inserting its “People also ask” block, with quick answers scraped from real websites, designed specifically to keep you from actually venturing any deeper than Google’s search results page itself.

Thanks Google for doing your part to make the Internet suck.

P.S. What do you think happened when I clicked “I’m Feeling Lucky”?

I think I just had my first encounter with web push notifications and I HATE IT

What. The. F&#*.

I’ve just spent the past few minutes looking at several restaurants’ pages on OpenTable — because the restaurant company is one of my clients and I’m in the process of updating OpenTable links on their websites.

Each time I kept one of their OpenTable pages open for a minute or so, on my Mac, I would get a “Time Sensitive” notification pop-up on my iPad and my Apple Watch. I realized after the second or third time that some system had determined that it was time for me to leave if I was going to get to the restaurant in time for the reservation I hadn’t even made.

WHY IS THIS HAPPENING.

I would get it if I was heavily into the OpenTable “ecosystem,” but I don’t even have their app installed on any of my devices. I’m guessing it’s this new web push notifications thing. But… GAAAH!! I’m not even logged into OpenTable in my browser on any of these devices, or on my computer. Somehow Safari itself must be pushing these notifications to my devices.

DO NOT WANT.

Gruber thinks Apple is doing this to comply with increased regulatory scrutiny in the E.U. If that’s the case, it just once again proves that the only times governments seem to get involved in the dealings of tech companies is to make things worse, mainly because the people in government making these decisions don’t understand what the problem is, and they understand even less how to fix it. And don’t get me wrong, I am not some kind of techno-libertarian. I think tech companies do a lot of bad things that the government needs to regulate. But the people in government trying to do that just don’t get it.

I can tell you one thing. I absolutely do not want any website I visit, ever, to be able to send push notifications to my f&#*ing devices. Stop. Just stop.

Quick CSS fix for WordPress Block Editor (Gutenberg) link hover color issue

The WordPress Block Editor (a.k.a. Gutenberg) makes it easy to set the text, background, and link colors on any block. But links can and often do have more than one color. And there’s no option here for setting the hover color. So what do you do in what, I think, may be a common situation, where you’re setting a background color on a block and making the link text white, but your theme’s link hover color is either the background color you’re switching to, or something way too close to it?

I’ve come up with a very tidy bit of CSS code that will make your link hover state match the custom link color — granted, you lose the UX of a unique color on hover state, but you gain necessary legibility and accessibility, which I guarantee is more important.

This may not work in every situation, but it’s so simple that it’s worth investigating as an option. With this code, any time you have a block that sets both a custom background color and a custom link color, it will ensure that the hover/focus state matches the custom link color:

main .has-background-color.has-link-color a:focus,
main .has-background-color.has-link-color a:hover
{ color: inherit; }

Which bass does Geddy Lee use for each song on Moving Pictures?

I have a reason, which will be revealed on my YouTube channel next week, for considering which type of bass Geddy Lee plays on each track of Rush’s 1981 masterpiece album Moving Pictures. There seems to be much debate out there in the world over which basses he used especially on Permanent Waves (1980), Moving Pictures, and Signals (1982), because he was known to play a Rickenbacker 4001 almost exclusively on their late ’70s prog albums, but he briefly worked a Fender Jazz Bass into the mix before going all-in on Wal basses in the mid-’80s (with an occasional Steinberger thrown in for peak ’80s futurism). From the mid-’90s on, Geddy has almost exclusively gone back to the Fender Jazz Bass.

So Moving Pictures really is kind of a pivot point, both for the band stylistically and for Geddy in terms of his bass gear. It is (I think?) well known that he used both the Rick and the Jazz on Moving Pictures, but which one does he use on which song, and how can you tell?

Well, “how can you tell?” comes down to ear and familiarity with the sonic characteristics of the different instruments. The Rickenbacker tends to have very deep, round low end and a ringing high end, with a bit of a scoop in the middle, whereas the Jazz Bass has a lot more midrange growl. That’s oversimplifying it, but once you know the sound, it’s not too hard to tell. So, let’s investigate, track by track.

“Tom Sawyer”
This one is kind of tough, actually. I feel like I could make a good argument for either, but I think my impression of the whole thing is too muddled because I’ve heard so many subsequent live versions of this song — Rickenbacker on Exit Stage Left and then Jazz on the 2000s live albums, plus the 5 times I saw them live — and Geddy kind of has “his sound” regardless of which instrument he’s playing, that I just can’t tell. Fortunately I do not just need to use my ears. The band produced music videos for several songs on the album from the recording sessions at Le Studio, and we can easily see in the video that Geddy is playing a Rickenbacker.

Update (3/8/2023): Not so fast! Geddy himself says in this video that he used a Jazz Bass on “Tom Sawyer.”

“Red Barchetta”
This one, I am fairly certain, is a Rickenbacker, even though Geddy has the mids cranked up. It’s really that first note he hits at the beginning of the guitar solo around 3:20 that is the giveaway to me. There’s no Le Studio video for this one, and on Exit Stage Left he’s playing a Rick, but he plays a Rick on pretty much all of that, so no help there. Not that we really need it.

“YYZ”
It’s kind of hard to nail down the bass tone here because there’s a bunch of chorus on it, but I am fairly confident it’s a Jazz Bass. It has that Jazz Bass growl (as opposed to, y’know, that Rickenbacker growl). Once again you kind of have to focus on the bass during the guitar solo, because when Geddy and Alex are playing together in unison their sounds blend too much. I just think I am hearing the gnarl of a Jazz Bass bridge pickup here. My introduction to this song was the A Show of Hands video from the late ’80s, and there, of course, he’s playing a Wal.)

“Limelight”
OK, in listening to this one I absolutely thought it was the Rickenbacker, but hey there’s another music video from the recording of the album, and Geddy is playing a Jazz Bass. Of course the video also cuts to some fake “live” footage that shows Geddy playing a Rick, but that’s from the A Farewell to Kings era, carefully edited to make it (sort of) look like they’re playing “Limelight.” So I think it’s safe to say we definitely have a Jazz here.

“The Camera Eye”
This one is definitely a Rickenbacker. Probably the easiest one to tell on the entire album. I think the verse that starts at 7:30 is where it’s easiest to tell. No question on this one. I was lucky enough to see the band on the Time Machine tour, where they played this album in its entirety, and of course at that point Geddy played it on a Jazz Bass. (Side note: No disrespect to Geddy, but you can tell he is really reaching for some of those high notes, 30 years later. Reaching, but generally hitting them!)

“Witch Hunt”
This song really doesn’t sound like any other in the band’s entire catalog. And the bass on it is unquestionably a Fender Jazz Bass. I think once again the thing that distinguishes it for me is the midrange. The Rickenbacker has a scoop in the midrange but the Jazz Bass seems to be pumping out consistently at all frequencies. (But if your eyes can handle it, you can check out Geddy playing it on a Steinberger on the Grace Under Pressure tour a few years later.)

“Vital Signs”
This one also definitely sounds like the Jazz Bass to me. I think around 1:20 is where it is very easy to pick out the bass tone. Fortunately this is another one with a Le Studio music video, so we can confirm it.

So there you have it. To put it another way, here’s how I break down the album:

Rickenbacker 4001: “Tom Sawyer,” “Red Barchetta,” “The Camera Eye.”
Fender Jazz Bass: “Tom Sawyer”, “YYZ”, “Limelight,” “Witch Hunt,” “Vital Signs.”

Update (3/10/2023): Over at Scott’s Bass Lessons, my fellow Minneapolitan Ian Martin Allison has his take on each track. Our only difference, once I corrected my take on “Tom Sawyer” two days ago, is “YYZ.” But I still say I think he’s playing a Jazz Bass on that one!