Top 5 Albums of 2011: The Contenders

It’s become an annual Underdog of Perfection tradition (even more of a tradition than calling this blog Underdog of Perfection). The annual “top 5 albums” post. Another tradition is this preliminary teaser post, wherein I announce “the contenders”: the albums I’ve purchased during the year that are under consideration for the top 5 list.

2011 has been an odd year for me, musically. I have been more prolific in my own musical endeavors than, perhaps, any year in the past — including three albums available on iTunes: my RPM project about Minneapolis, Scenes from the Busy Northern Metropolis, my running-inspired 40-minute electronic epic The Long Run, and the remastered/remixed compilation album Room 34 (Nokomis Beach). At the same time, I have found that many of my long-time favorite artists released disappointing, or worse, irrelevant albums this year, including but not limited to: The Beastie Boys, Cake, Coldplay, The Decemberists, Dream Theater, Fujiya & Miyagi, Radiohead, Wilco and Yes.

The year’s new music wasn’t all regrettable and forgettable, however, with bright spots from Adele, Foo Fighters and Halloween, Alaska, among others. But which albums will make the top 5? Check back in December to find out!

UoP’s Greatest Hits

In the spirit of “If you can’t say anything nice, don’t say anything at all,” I will refrain from writing about last night’s midterm election results, except to say, “Don’t blame Minneapolis.” Also, to quote Apu Nahasapeemapetilon, “If you survive, please come again.” The next two years will either prove or disprove the merits of the Tea Party movement, and if we’re lucky we’ll still be around in two years to start cleaning up the mess.

OK, I knew I couldn’t avoid saying something snarky about it, but that’s it. No more. Let’s move on to something fun… ME! I’m taking a look back at the top 10 posts on Underdog of Perfection, based on the number of hits they’ve received according to WordPress stats. Without further ado… I present the all-time top 10 Underdog of Perfection posts to date.

OK, just a little further ado: here’s a chart of my hit count over the past month.

And now the list…

10. Mechanically-separated chicken or soft serve ice cream? You be the judge.

January 17, 2009 — When the gross picture of mechanically-separated chicken exploded as a full-fledged meme last month, as part of a factually challenged story hyping the dangers of the stuff (come on… you don’t need to make up stuff like “bathed in ammonia”; the truth is bad enough), I immediately recognized the picture as one I had seen about a year before. As I recalled, I had seen it on TotallyLooksLike.com next to a strawberry soft serve. I had forgotten that I had created that “totally looks like” image, which apparently is no longer available on that site, but is still on mine. Hence, traffic!

9. Best Google Doodle yet

June 6, 2009 — Ah, that would be the Tetris Google Doodle. But I suspect that every time there’s a new Google Doodle, someone googles “Best Google Doodle yet” and finds this post. Traffic!

8. Honda Fit iPod controls: when something is worse than nothing

August 23, 2009 — Rants are always good for some hits, especially when it’s something other people are annoyed by too. The fact is, the Honda Fit iPod controls suck, and Honda doesn’t seem to be doing anything about it, so I suspect as each model year is introduced, this post will generate more… traffic!

7. Migrating from CakePHP 1.2 to 1.3: My Story (Part One of… Possibly More than One)

May 16, 2010 — Writing about technical issues surrounding web development is one of the ostensible purposes of this blog, especially since I went freelance, so it’s gratifying to see my fellow developers relying on me for information, on those rare occasions when I actually have some to share. Thanks for the traffic! (I really didn’t set out to end each of these with the word “traffic” but it seems now that I am destined to do so. Um… traffic.)

6. This is what I wanted all along

October 27, 2010 — Being just a week old, this may be the fastest ascension of any post I’ve written to date. I suspect a lot of that has to do with the timeliness of the topic, but given the vague and keyword-free title (take that, SEO strategists!), the most logical explanation for its popularity is surely the conscious effort I made to promote it. Near the end of the post I make reference to the review of the MacBook Air by Jason Snell for Macworld. I also tweeted an announcement of the post, and stuck in an @jsnell, both in honest appreciation of his review, but also in the somewhat crass hope that he would retweet it. Which he (and several others, most notably Michael Gartenberg) did. Boom! Traffic!

5. Brooks Brothers: what’s up with the sheep?

July 25, 2007 — I’m glad some of these “random observation” posts are generating traffic. I believe I’ve spent a grand total of less than 5 minutes of my life inside Brooks Brothers stores, but I’ve pondered their bizarre logo for much longer, and the fact that others have too has brought my blog significant traffic.

4. Why does Safari 4 Beta take SOOOOO LOOOONG to start up? Am I the only one having this problem?

March 1, 2009 — I kind of wish some of these posts would stay buried. Three of the top four all-time posts on my blog are related to issues with Apple products, specifically, issues with early releases and/or beta software. People continue to visit these posts long after they’ve become irrelevant. Seriously, Safari 4 Beta? It’s currently up to version 5.0.2! Please, this post needs no more traffic!

3. Dog inequality in Walt Disney’s world

November 18, 2008 — And then there are posts like this one. Awesome. I love the fact that this has resonated with so many people. Goofy + Pluto = Traffic.

2. Solution for the iPhone Facebook problem

June 8, 2009 — Here’s another post pertaining to early software, and one that’s way past its sell-by date. Here, from an SEO perspective, we have an interesting case study: a keyword-laden but still generic title. What iPhone Facebook problem? The post was referring to the dilemma of iPhone users who were stuck with the then-crappy iPhone Facebook app or the then-crappy iPhone-optimized Facebook mobile site. The best option at the time, in my opinion, was the non-iPhone mobile site, but Facebook had a redirect built into that site that would automatically take iPhone users to the inferior iPhone mobile site. I found a way around that, and shared it in the post.

This is not really relevant anymore, but now any time there is any kind of problem with iPhones and Facebook, this post sees a surge in traffic.

1. Disabling the pinch-zoom feature on the new MacBook

March 9, 2009 — I’m always a bit annoyed when I look at my stats and see this post near (or at) the top. To me it’s a long-dead issue, but apparently not. I just showed this solution to SLP yesterday, so the problem still persists, and whenever I get a new Mac or reinstall my software, I have to remember to go in and deal with this again.

I don’t know whether or not I’m in the minority of Mac users here, though I suspect not, but I do not like the multitouch features of the MacBook trackpad. The only one I use is two-finger scrolling. That’s nice, but the rest are just an unwanted nuisance. I forget they even exist until I trigger them accidentally when I’m trying to do something else. Then I have to dig into System Preferences again and turn them off. Apple may love multitouch, and it’s great on iOS devices, but clearly there’s some distaste for it on the Mac, which for me means traffic.

P.S. You may notice a logical inconsistency here: the rankings in this list — specifically, the placement within the rankings of #10 and #6 — don’t jibe with the chart I showed at the top. That’s because most of the traffic driven to my site in the wake of the mechanically-separated chicken meme went to the home page, for whatever reason, not directly to the post. In which case those visitors would have completely missed the mark. In short, it’s a failure both for Google and WordPress Stats. Great job!

Top 5 Albums of 2009

A few weeks ago I announced the contenders for this year’s best albums, and now here are the winners. Keep an eye open for a “Top 5 Albums of the Decade” post coming soon as well.

5. The Decemberists: The Hazards of Love

The Decemberists: The Hazards of LoveThe Decemberists are one of the most idiosyncratic bands recording today, at least among those that have achieved a modicum of success. Despite their mostly rock-oriented instrumentation (drums, electric guitars and bass, Nord synthesizer), the band frequently supplements their sound with antiquated — or at least rarely-used-in-rock — instruments like the accordion, upright bass, banjo, bouzouki. And their lyrical content has typically been somewhat Victorian. They outdid themselves, however, with this year’s release: an hour-long rock opera, the most grandiose and polarizing concept album since Tales from Topographic Oceans by Yes in 1973. As with that album, I fall on the side of “getting it.” Whether it’s art that transcends its idiom, or pompous self-indulgence, is a matter for subjective debate, but I think it’s hard to argue with the fact that Colin Meloy and company achieved what they were going for. Even better, they took the show on the road, performing the album in its entirety during this summer’s tour. I got to see the band at Rock the Garden in Minneapolis and loved every minute of it.

4. Porcupine Tree: The Incident

Porcupine Tree: The IncidentA few years ago, it looked as if Porcupine Tree was about to break into the big time. The anachronistic prog band’s fan base has grown steadily over its now 20-year history, but mainstream success (if that’s not an oxymoron) has remained elusive. If 2002’s In Absentia was a tantalizing step towards mass popularity, the band’s subsequent three albums: 2005’s Deadwing, 2007’s Fear of a Blank Planet, and this year’s double album, with the title suite occupying the entire 55 minutes of the first disc, have seen them retreat back into their prog rock niche, while continuing to… you know… progress as a band. I’ve liked each album more than the last, and yet at the same time I can’t help feeling a little disappointed at unrealized potential. This band is so good, I want everyone in the world to hear them. But with each new album it seems more apparent that Steven Wilson has resigned himself to the limited appeal of the band’s core audience. At least he’s staying true to the aesthetic that drew us to his music in the first place.

3. The Bird and the Bee: Ray Guns Are Not Just the Future

The Bird and the Bee: Ray Guns Are Not Just the FutureThis is perhaps the album that surprised me the most this year. I was not familiar with this band before the improbable hit “Diamond Dave” (yes, it’s about David Lee Roth) became a staple on The Current. This band’s unique retro-futuristic sound carries immense appeal. Equal parts ’60s lounge music and modern-day electronica, with Inara George’s beautifully delicate vocals deftly concealing the twisted humor of most of the songs’ lyrics, this is the band to bring prog rock dinosaurs who are stuck in their Yes / Steely Dan / National Health rut up to date with the exciting things that are happening in popular music today. Sure, there are no tracks on this album that stand out quite as much as “Fucking Boyfriend” from the band’s self-titled debut, but the hilariously ironic “Polite Dance Song” and the mysterious, James Bond-esque “Witch” come pretty close.

2. Grizzly Bear: Veckatimest

Grizzly Bear: VeckatimestAmong this year’s contenders, probably no album took longer for me to learn to appreciate than Grizzly Bear’s lo-fi masterpiece. But once I stopped trying to impose my own expectations on this album and just gave in, met it on its own terms, a wonderful, strange world opened up before me. This is not easy listening, to be sure, but it’s wonderfully crafted, and the hazy, distant production shrouds meticulous arrangements. The result is a darker, more challenging counterpart to last year’s debut by Fleet Foxes. This album probably won’t appeal to everyone, but the broad critical acclaim it has received is not unwarranted.

1. Phoenix: Wolfgang Amadeus Phoenix

Phoenix: Wolfgang Amadeus PhoenixPerhaps an easy choice. French pop-rock band Phoenix has been around for most of the decade, but they seem to have just really hit it big in the States this year, with an appearance on SNL and constant exposure of the track “1901” in Cadillac commercials. That probably screams sellout, but if so, it’s the weirdest-sounding sellout in years. Adventurous, experimental deep cuts, like the two-part “Love Like a Sunset” show that the band isn’t just on auto-pilot. The album’s production is absolute perfection — crisp and up-front without sounding distorted (even though the loudness wars are in effect here), the arrangements are inventive despite fairly straightforward rock instrumentation, the vocals are distinctive, and every track on the album is catchy. Despite its short run time of just over 36 minutes, this album is worth listening to on repeat.

Plus, as someone who’s always felt Mozart’s music is vastly overrated, I get some twisted pleasure out of the fact that searching for “Wolfgang Amadeus” on Amazon now brings up Phoenix before Mozart. Blasphemy! (Or not.)