December(ists) in March

The Hazards of LoveI’m having a serious Decemberists fest this week, having just purchased their new song cycle/rock opera/concept album/tour de force, The Hazards of Love, a week early thanks to iTunes. On Tuesday I debated buying it now or waiting for the CD, and now I can’t imagine not having bought it.

It’s one of those albums that just seems so perfect, so essential, that I already can’t imagine the musical world without it, and I can scarcely even imagine wanting to listen to anything else. The last time I felt this way about an album was… well, let’s see: when I first heard The Decemberists’ last album, The Crane Wife. (And I even have documented evidence to prove it.)

Well, I loved The Crane Wife, but The Hazards of Love blows it out of the water. If The Crane Wife was the best album since OK Computer, then Hazards has to be the best album since… oh, I don’t know, let’s go for the obvious comparison: The Dark Side of the Moon. I’m not sure if, in this era, an album can possibly leave the kind of indelible impression on our musical culture that Pink Floyd’s masterpiece did in 1973, but you can’t fault The Decemberists for being born a generation too late.

The band performed the new album in its entirety on Wednesday night at SXSW, and it was broadcast live on a handful of NPR stations around the country, including The Current here in Minneapolis. I didn’t get to hear it live, but no matter — you can download the whole thing for free on the All Songs Considered podcast.

Listening to the live version, two things struck me: one specific moment and one general observation. The specific moment is some d-bag in the audience, in the middle of the show, calling for “Valerie Plame.” Sure, that’s a great song, but they’re right in the middle of a freakin’ song cycle, idiot! The general observation: the band’s prog-loving keyboardist, Jenny Conlee, cranked the synths to 11 in concert. Sweet.

How to write like an architect

I found this on kottke.org, and I know Jason Kottke’s audience outnumbers mine by several orders of magnitude, but I still found it interesting enough that I wanted to share it here.

I’ve been thinking about architecture (the occupation, not buildings themselves) a lot lately as I’ve been working with some architects as clients. The thing I like about architects is that I think there’s a lot of similarity between what they do and what I do — both architecture and web design/development require a mix of artistic sensibilities and methodical, scientific thinking that don’t often come together in other fields. Of course, it takes a lot more training and skill to become an architect; I won’t even pretend we’re in the same league in that regard.

Probably the biggest difference between the two fields is that what I do is almost entirely based on computers (obviously), whereas while computers are certainly an integral tool to architects, the end product of their efforts, along with many of the tools and techniques they use to do their jobs, are physical, tactile, hands-on. Paper, pencils, T-squares, rulers, etc. I use those types of physical tools so rarely anymore that I can barely even write my own name legibly.

Which brings me to this pair of videos on How to write like an architect. It’s fascinating to see how these letters come together and the orderly yet stylized results.

And here’s how you do it with a pencil…

In another age (maybe even if I were a mere decade older), architecture is likely something I would have pursued instead of the path of least resistance web design offered me when I emerged from college at precisely the right moment (1996). Working with architects as clients has allowed me to get a vicarious taste of that world.

Bring down IE 6!

IE6, R.I.P. I wish.Here’s a far more detailed, reasoned explanation of why Internet Explorer 6 is just plain bad than I could ever muster in the midst of one of my Microsoft-fueled rages. (OK, maybe that overstates it a bit and gives Redmond too much credit for my anger issues.)

Here it is, plain and simple: Internet Explorer 6 has been around as long as Windows XP, and it’s even longer in the tooth. A lot has happened to the Web in the last 8 years, and IE6 is simply not equipped to handle what 2009 websites throw at it. It’s a security nightmare, and it’s woefully lacking in support of even relatively modest features that all other browsers out there today support, and that we in the web design and development community desperately want to take advantage of in building functional, aesthetically pleasing, just plain cool websites.

But we can’t. Or, we can, but then we have to spend a substantial chunk of the total time and budget of a project (often a third or more) hacking our own (standards-compliant) work to try to make it even just passably functional in IE6. This has to end. IE6 is not just a pain in the butt of web geeks like me. Because it is wasting the valuable time and financial resources of anyone involved in the creation of websites (and by extension, any business or organization that has a website), it is a drain on our economy in the same way as old, gas guzzling cars or any other outmoded, grossly inefficient system.

It’s time. IE6 is dead. Lay it to rest.

The Mother of All Funk Chords

I just had to pile on to the mountain of people sharing this because it’s so cool:

Merlin Mann pretty much sums it up:

Unsolicited tip for media company c-levels: if your reaction to this crate of magic is “Hm. I wonder how we’d go about suing someone who ‘did this’ with our IP?” instead of, “Holy crap, clearly, this is the freaking future of entertainment,” it’s probably time to put some ramen on your Visa and start making stuff up for your LinkedIn page.

Because, this is what your new Elvis looks like, gang. And, eventually somebody will figure out (and publicly admit) that Kutiman, and any number of his peers on the “To-Sue” list, should be passed from Legal down to A&R.