Test 1-2, test 1-2

There is no substantive content in this post, really. At least I suspect as I write it that there won’t be. I’m merely testing the capabilities of the latest version of the WordPress app for iOS, released today, which I disparaged in passing (based on my experience with a much earlier version) during a podcast while pondering the merits of Tumblr.

Already I see many improvements since the last time I bothered to try using this app. There’s actual formatting in the text entry box, for one. And you can even insert pictures taken with your phone!


Yes. I just took a picture of what’s right in front of me, right now, which happens to be the view from my living room couch. And yes, we still have Christmas Valentine’s Day lights up. You got a problem with that?

Clearly, Tumblr has lit a fire under WordPress’s backside, and the iOS app is one way the Automattic bucket brigade is attempting to extinguish it. Time to give this app another chance!

Now in podcast form

If you like reading my words for 5 minutes once a week, you’ll love hearing me ramble on for 90 minutes in a podcast! I’ve teamed up with SLP to record episode one of what we anticipate will be a roughly weekly podcast, called The Undisciplined Room, that will cover topics ranging from web development to feminist pedagogy and everything in between. (Yes, there is stuff in between.) Episode one is live now, and you can even subscribe via iTunes, if you’re into that sort of thing.

As an added bonus (I suppose), the podcast features original music recorded by Room 34 (a.k.a. me). Here’s the opening theme:

December(ists) in March

The Hazards of LoveI’m having a serious Decemberists fest this week, having just purchased their new song cycle/rock opera/concept album/tour de force, The Hazards of Love, a week early thanks to iTunes. On Tuesday I debated buying it now or waiting for the CD, and now I can’t imagine not having bought it.

It’s one of those albums that just seems so perfect, so essential, that I already can’t imagine the musical world without it, and I can scarcely even imagine wanting to listen to anything else. The last time I felt this way about an album was… well, let’s see: when I first heard The Decemberists’ last album, The Crane Wife. (And I even have documented evidence to prove it.)

Well, I loved The Crane Wife, but The Hazards of Love blows it out of the water. If The Crane Wife was the best album since OK Computer, then Hazards has to be the best album since… oh, I don’t know, let’s go for the obvious comparison: The Dark Side of the Moon. I’m not sure if, in this era, an album can possibly leave the kind of indelible impression on our musical culture that Pink Floyd’s masterpiece did in 1973, but you can’t fault The Decemberists for being born a generation too late.

The band performed the new album in its entirety on Wednesday night at SXSW, and it was broadcast live on a handful of NPR stations around the country, including The Current here in Minneapolis. I didn’t get to hear it live, but no matter — you can download the whole thing for free on the All Songs Considered podcast.

Listening to the live version, two things struck me: one specific moment and one general observation. The specific moment is some d-bag in the audience, in the middle of the show, calling for “Valerie Plame.” Sure, that’s a great song, but they’re right in the middle of a freakin’ song cycle, idiot! The general observation: the band’s prog-loving keyboardist, Jenny Conlee, cranked the synths to 11 in concert. Sweet.