MNDOT’s secret to reining in highway construction costs: Photoshop

I was just reading, in the StarTribune online edition, an article about the lane addition project that was recently completed on Hwy. 100 in St. Louis Park.

The article includes a map and “Before” and “Now” photos, which I found very interesting. Especially when I noticed that the exact same cars were in both pictures, just in slightly different positions (all, that is, except for the red truck that appears to have been parked on the overpass for the entire duration of the construction project).

Imagine the coincidence, taking pictures both before and after the project, and timing it perfectly that the same cars would be traveling that stretch. Man, some people’s daily routines really are rigid! (Also, the weather was exactly the same, the photo was taken at the same time of day, the autumn leaves on the trees were at the same stage of coloration, etc.)

Of course, I think what’s really going on here is that the “Now” photo is actually a Photoshop mock-up produced by MNDOT during the proposal phase of the project. Anyone with an eye for Photoshop techniques can clearly see what’s been done to the photo. Still, it’s rather amusing that the Strib — intentionally or not — is passing this off as an actual photo of the road as it appears today.

Addendum (October 27, 2006; 9:15 PM): I figure since I took this opportunity to call attention to the Strib’s gaffe, I also owe it to them to share with my reader [sic] the fact that I also emailed the Strib about this, and in less than 12 hours I’ve received two emails from them — including one from the Director of Photography — apologizing for the mistake, and they say they’ll be posting a correction tomorrow. (Therefore, I’ll also refrain from capturing the erroneous version to post here.)

Addendum (November 7, 2006; 11:35 PM): Since I’m not a crackpot, I will not be pursuing this any further. However, I feel it’s worth at least noting here that I’ve just checked the page and no correction was ever made.

Am I TOO Detail-Obsessed?

A strange thing happened to me the other day.

I was riding in the car with some coworkers, returning from lunch. We were stopped in gridlock traffic (which seems to be the case more often than not on Roswell Rd.), and as my eyes (as usual) flitted from side to side, taking in the colors, shapes, fonts, states of decay, and other assorted minutiae of the storefronts and signs in the supersaturated commercial district, I happened to notice a sign on a nearby Chinese restaurant. It said:

GIANT CHINESE B.BQ.

Now your average person, even your average detail-oriented person, may have glanced at that sign and not given it a second thought. But I was immediately consumed with perplexity over the liberties taken by the sign maker with respect to the use of periods. Why, I wondered, did the first “B” warrant a period while the second did not?

Or take another example: Tonight when I got home from work, I found a new MacMall catalog had arrived, and I perused it with passive interest while SLP was on the phone. I was mildly irritated to see yet another use of the annoying stock photos of perfect people in black mock turtlenecks with their arms folded atop some invisible barrier, which have become staples for use in stupid photo illustrations in these catalogs, where the perfect people are made to look as if they are leaning against a steroid-enhanced 5-foot-tall software package.

You’re probably thinking that my awareness of these stock photos of perfect people in stupid poses is the focus of my detail-obsessed attention in this story, but you’re wrong.

In fact, I noticed something even more stimulating to my detail obsession: On one page I saw a photo of a young woman with long blonde hair, and on the next, a distinctly different young woman with short, curly red hair. And that was when it hit me. I noticed that the hands of the two women were in exactly the same position. In fact, the arms in the picture belonged to the same person and were from one single photograph, but the heads were different. What’s more, the skin of the hands in the photo was color-corrected to match the facial complexion of the woman in each photo.

Clearly, if I notice something like this on passing glance, I have a problem.