What do Made-in-USA iMacs, fracking in North Dakota, and right-to-work in Michigan have in common?

Yesterday I blogged about the huge glowing area in North Dakota that is experiencing a shale oil boom thanks to hydraulic fracturing (fracking). This morning I tweeted about new legislation passed to make Michigan a right-to-work state. And for the past few days I’ve been reading enthusiastic news that Apple is resuming manufacturing in the United States.

What do these things all have in common? Well… the always insightful Jason Kottke has the answer.

We’re witnessing an interesting cycle in the US economy right now. Changes in China in recent years have presented new challenges to its burgeoning manufacturing base; meanwhile here in the US the combination of Great Recession-related unemployment, the GOP’s 30-year experiment in rolling back labor rights, and (as Kottke notes) the artificially low price of natural gas here due to the fracking boom, have suddenly made the United States a much more desirable place for manufacturing. But will it last, and at what cost?

Apparently there is now a sprawling metropolis in northwestern North Dakota, or… something

As any regular reader of this irregularly-updated blog knows, I love maps. That I didn’t become a cartographer is mainly a result of the times in which we live, although given the tech geekery of GIS, it’s still not a convincing explanation.

Anyway, as a map lover, I geeked out today when The Atlantic Wire had a post about new nighttime satellite imagery released by NASA, including this amazing “map” of the US, with its major metropolitan areas aglow with artificial luminescence.

Knowing the US map as well as I do, I was immediately able to pick out most of the major cities. Starting with my home in Minneapolis, I proceeded to identify Chicago, Des Moines, Omaha, Kansas City, etc.

And that’s when it hit me. I know there’s no major US metropolitan area between Minneapolis and Seattle. So… what is that huge glowing area in what appears to be northwestern North Dakota? I wondered. Atlantic Wire’s Dashiell Bennett wondered the same thing, and came to the same conclusion as I did:

One thing that sticks out for us is the surprisingly large bright spot in what appears to be an otherwise dark North Dakota. Could that be the state’s exploding oil industry working overtime?

I’ve created an animated GIF illustrating the situation. Using the NASA photo published on the Atlantic Wire post, I overlaid a map outlining the state boundaries, dropped in markers for some recognizable cities in the western US and Canada, and then… that big weird area in North Dakota.

I decided to take a closer look at just what is around that huge glowing area in North Dakota. I zoomed the satellite photo and overlaid it on another map outlining counties and rivers in North Dakota to try to make sense of it. Surely North Dakota’s population centers must be near all of that light, right?

Not so.

At this level of zoom, on Google Maps, only four towns in the entire western half of the state are populous enough to be identified: Williston, Minot, Dickinson and Bismarck. And of those four, only Williston (population 14,716, according to the 2010 census) is in the glowing area.

So… yeah. This light is not coming from a city. At least, not a well-planned, livable city densely populated with humans. I’m no expert on the topic, but I am well aware of North Dakota’s current shale oil boom and the controversies of the hydraulic fracking techniques that must be used to extract it from the earth. It’s just kind of interesting, I think, to see yet another consequence of fracking: light pollution.

For further reading… well, just Google “Williston fracking”.

Rock opera update/teaser: a first listen!

Anyone who follows me on Twitter or Facebook probably knows by now that I’m working on a semi-top-secret (wha??) rock opera. Yes, it’s true!

I am not yet ready to reveal the full details of the project, but suffice to say it is in the late stages. It’s mostly down to recording vocals, which is sure to be the most time-consuming part of the process. I am shooting for a January-February 2013 release date at this point.

But it’s time for a first listen now! Of the 11 tracks on the album, 7 will have vocals. But I’ve made one of the instrumental tracks available in a rough mix form now on Alonetone. You can check it out here! (Or, if your browser is adequately HTML5-itized, you can play it below.)

All of the sounds on this track come from Atari 2600 video games. Specifically, they come from actual Atari and Activision games that were available in the early 1980s. I sampled these sounds out of the commercial emulators for these games that are available for the iPhone, created a software instrument from the samples (using this technique), and played them on my keyboard to produce the music you hear. The sounds are minimally processed… other than some EQ and reverb, they sound exactly like they did in the original games (especially Super Breakout, which provides most of the “melodies” you hear).

Quick Mac Tip: Fix missing background on second display

At work, I plug my 11-inch MacBook Air into a 23-inch LCD, which I use as my primary screen, with the Mac’s display as a secondary screen. Frequently, due to some combination of not closing it then unplugging the Mini DisplayPort plug in the proper order, or… something… I will find that when I open up my computer the next day, my desktop background (a.k.a. “wallpaper” for recent Windows switchers) on the MacBook Air is gone, replaced with a far-too-bright light gray generic background. Yuck!

Previously I had resorted to logging out and back in, or even rebooting, to fix this problem, but yesterday I searched and found an answer. It’s really simple! But it does require opening Terminal.

Go into Applications > Utilities and open Terminal. Then at the command prompt, type this (and, of course, hit Return):

killall Dock

That’s it! The Dock will quit and automatically restart, and the desktop will be restored!

On products, services, and the trouble with Twitter

Much of the buzz this week among online geek types has been the latest step in the gradually unfolding revelation of exactly where Twitter (the business) intends to take Twitter (the service), and just how stark the difference is between that place and where these same geeks — who have been largely responsible for the establishment of Twitter as a successful platform — would like to see it go.

The latter place can most easily be summed up as, “where it started out,” but the details of where it started out, and how far it is from where the company now wants to take it, reveal a lot about the nature of the Internet as a place for commercial business, vs. the way most users see it, as a medium for communication.

Most people who use the Internet have little knowledge of, or interest in, how it actually works. Even those of us who make our living building it don’t always have a firm grasp of the technologies that make it all possible. But understanding those details, and understanding the differences between a service and a product, for lack of a more effective yet equally succinct description, can shed light on the current trouble with Twitter.

The crux of geek anger towards Twitter of late has to do with Twitter’s ongoing efforts to shut down a number of its APIs that allow third-party apps like Tweetbot (my personal favorite iPhone Twitter client) to interact with data from Twitter’s servers. Without these APIs, these third-party apps can’t function. The specifics of the situation are a lot more complicated than this, but I’ll leave the reader to investigate further; Dalton Caldwell’s post from yesterday, Twitter is pivoting, is a great place to start.

All of this may seem supremely geeky and esoteric to most Twitter users, though I suspect anyone who’s been using the Internet for more than two years would take pause at the fact that Peter Chernin, who was deeply involved in the downfall of MySpace, has just joined Twitter’s board of directors. (Especially since he chose to tweet it in a way that reveals a profound lack of understanding of how Twitter works.)

Which brings me to the topic of products and services. As I am using the terms here, a “service” is what we on the geek side of the Internet refer to as a protocol. On the Internet, a protocol is a technology, built upon a publicly documented specification, which allows particular types of interactions between devices over the Internet. A protocol is inherently public, open, and decentralized. That’s the only way they can work. Each protocol tends to have a strange acronym associated with it, some of which the creakier, older parts of the Internet may have failed to shield you from: things like HTTP (the web) or IMAP (email). All of these protocols are built upon a more fundamental, lower-level protocol: TCP/IP.

Protocols are what make the Internet work. And they’ve existed since well before anyone saw (or at least fully exploited) the Internet’s potential for profit. Protocols as services are so ubiquitous and inherent to the experience of using the Internet, we don’t even realize they exist, or what they are, or how exactly they work. And we tend to assume that anything we interact with on the Internet is kind of all the same. We might have a vague sense that something like Facebook or Twitter is a commercial enterprise, but even the geekiest among us who actively use these services products don’t often think about just how different they are at the core than things like email.

In contrast to these protocols/services, we have commercial products like Facebook or Twitter. These are not protocols. While we are all by now painfully aware of how open and public the information we share on them can be, there is nothing whatsoever that is “open” or “public” about how they actually work, and their functionality is entirely centralized within the competitive, secretive, for-profit businesses that own them.

Facebook has taken a lot of flak in recent years for its aggressive commercialization of the user experience. The information you share is not only overly public, it is parsed by their ingenious algorithms to allow them to put highly-targeted advertising in front of your eyeballs. (At least, that’s the theory; in practice it doesn’t always work so well.) As the saying goes, if you’re not paying for it, you’re not the customer… you’re the product being sold.

While it’s been easy to see how Facebook is monetizing our online interactions, the gradual creep of Twitter’s monetization has been quieter, and more insidious. It’s been easy enough to ignore promoted tweets and trending topics, and they’ve even backpedaled on occasion in response to negative user reaction. (Remember the Dickbar?) But eventually, true to the cliché, there’s a straw that breaks the camel’s back. And the latest API deprecations may represent that last straw.

You see, you can only change a product so much before eventually it ceases to resemble in any meaningful way the thing that it once was, the thing that appealed to its users in the first place. And for Twitter, the business, it is entirely their prerogative to make those changes, to “pivot,” into something completely different. But in so doing, they reveal the true nature of their product, and the fact that it was never really the service its loyal users took it to be.

Ayn Rand’s (in)famous novel Atlas Shrugged ends with capitalist Übermensch John Galt tracing the sign of the dollar with his finger. But when the dollar sign becomes the ultimate symbol of human achievement, money is the only thing in life that has value. This may be a rather heavy-handed reference (she is the most heavy-handed writer of the 20th century, after all), but profit as the primary motive of a business can easily corrupt or destroy any other values the company has.

Twitter seems to be following the standard arc of a startup, especially in the Internet age: a group of inspired geeks build something cool, it becomes a hit, venture capital comes pouring in, the founders sell out and “management” moves in, the focus of the company shifts from building something cool into turning that cool thing into a way to make money, the thing ceases to be cool (or even very useful), people move on to the next big thing, the company dies a slow death.

We’ve seen it plenty of times before (again, MySpace), but with Twitter something seems different. Twitter has become a deeply ingrained part of the Internet experience for its loyal users in a way that no other product from a for-profit business has before. It’s as essential to how many of us experience the Internet on a daily basis as email or the web itself. But while it’s just as essential, its essence is entirely different. And now the foolishness of investing so heavily and personally — in time and passion, not money — in this kind of product is becoming painfully obvious.

So, what are our alternatives? This summer, Adam Curry (yes, that Adam Curry) wrote about the value of RSS as a Twitter alternative. I think for one way Twitter is used (as a means of disseminating links to interesting news/blog posts), RSS is great, and I am a die-hard RSS user along with Twitter. But RSS can’t replace Twitter’s role as a microblogging platform.

Enter Dalton Caldwell’s (remember him?) App.net. What is App.net? It’s basically an effort to do Twitter right. For a small annual subscription fee, you get access to an ad-free social network that functions almost identically to Twitter. (The main distinction: each post is limited to 256 characters, rather than 140. Those of us who do a lot of work with databases are probably thrilled with the implications of that particular number.) Many of the geeks who were early Twitter adopters are now prominent members of the App.net community. Many of the developers of third-party Twitter clients have gotten on board with App.net sibling apps (like Netbot).

Personally, I was one of those App.net early adopters (member #5,644). But I will admit I’ve found it hard to break my old habits of working mainly with Twitter. Partly that’s because I’ve relied on Twitter’s functionality as the glue between my various social networks. I can post photos on Instagram and, via my existing Twitter-to-Facebook link, easily share my photos to both social networks with a tap. I used to have LinkedIn in the mix too, before I more-or-less abandoned it. The point is, up to now Twitter has been a geek’s paradise of a social network, with a wealth of APIs that could be used in innovative ways to do all sorts of cool things.

But Twitter doesn’t want us to do all sorts of cool things. They want us to do the things that put our eyeballs on their sponsors’ messages, because that’s the only way they’ve been able to think of (or willing to try) to make money. I would gladly pay a subscription fee for Twitter, to cut out the ads and retain access to those awesome APIs they’re so aggressively shutting down. But since they’re not interested in taking the business in that direction, a door has been opened for App.net to do all kinds of things Twitter could have done, but, it now appears, never will.