What is freedom?

I’ve struggled with the decision to write this post. But since I cannot wipe these thoughts from my mind, nor can I continue to tweet incessantly on the topic until someone does something about the problem, I know I just need to get these thoughts out, and then maybe I can do something constructive with them.

First, some background. I don’t like guns. I’ve never liked guns, even toy guns as a kid. I’ve never held a real gun, and I could probably count on one hand the number of times I’ve even seen a real gun in person.

I recognize the luxury of my position. I grew up in an era without military conscription. There was no war that I was sent off to fight in, voluntarily or otherwise. Though my upbringing was modest, it was comfortable, and I excelled academically, so I was able to attend the college of my choice on scholarship; enlisting in the military wasn’t a necessary choice for me after high school.

I grew up in a small town, but my childhood was definitely a town experience. I was not a rural kid. I spent very little time in the country, and hunting was the furthest thing from my mind. I have never lived in conditions where I needed to hunt for survival, nor been involved with the portion of our society that does it for sport.

I grew up with the privilege of being white and middle class. I did not live in conditions where I was likely to encounter violent crime, and I have continued to live in relatively “safe” places, by choice but also by privilege, as an adult. I have never felt the need to own a gun to protect myself or my family. (Maybe I am naive in that thought, but so far experience has borne it out, and with luck and prudence that will continue. At any rate, I do not believe my owning a gun would make me or my family safer.)

All of this background is simply to help explain how my view of guns in our society has been shaped. I have never seen them as necessary; I have only seen them as dangerous and destructive. And I have never wanted to have anything to do with them.

I am well aware of the Second Amendment. It is probably the only amendment whose text I have memorized:

A well regulated militia being necessary to the security of a free state, the right of the people to keep and bear arms shall not be infringed.

The exact meaning of that text has been debated since well before I was born. Gun rights advocates focus on the second clause; gun control advocates focus on the first. But the whole needs to be considered to be properly understood. And it’s important to factor in the numerous Supreme Court cases on the matter, which seem to have settled once and for all that the amendment does grant individuals the right to “keep and bear arms.”

I guess the operative word in all of this is “infringed.” Where does regulation become infringement? And beyond that, is the amendment really good for the country? Can it not be altered or repealed? (Remember prohibition?)

I’m getting ahead of myself. With my personal distaste for guns, and my beliefs that a) the “well regulated militia” clause is both key to the amendment’s meaning and indicative of its modern irrelevance, and b) the amendment’s original purpose is not only antiquated, but not at all effective in a modern context, with modern weaponry; it’s time to look beyond this singular fixation on the meaning and purpose of the Second Amendment, and start talking honestly and practically about what the proliferation of massive, military-grade firepower into the hands of (a small subset of) the American civilian populace really means for us as individuals and as a nation.

In short, what is freedom? What are rights? And how long can we sustain the dangerous imbalance between the “right to keep and bear arms” — even semi-automatic, combat-grade assault rifles — and all of the rest of the rights We the People are entitled to?

Surely, on a level deeper than any of the specific rights afforded in the first ten amendments to the constitution, are the rights cited in the Declaration of Independence: life, liberty, and the pursuit of happiness.

What freedom can be more fundamental than the freedom to exist? And yet that is precisely the freedom that is being put at risk by the stubborn, illogical adherence to the notion that any and all guns should be freely available to anyone who wants them, and the disturbing trend among state legislatures recently to pass laws allowing these weapons to be carried (concealed, no less) in places like elementary schools.

There are people making (somewhat) reasoned arguments that teachers should be armed in the classroom. I find plenty of counterarguments for why that is absolutely ludicrous, but beyond that debate itself, don’t we need to step back and seriously question how we’ve allowed ourselves to get to a place where that’s even a consideration? Teachers packing heat in the classroom? Seriously?

I think a big part of this problem is the idea of “American exceptionalism.” You may infer that I am not a proponent of this concept, and I am not. It’s harmful in two ways: first, it allows us to be foolishly insular in our thinking. We ignore the rest of the world because we are “exceptional.” We have nothing to learn from the rest of the world because we are somehow, and in ways that go without explanation, superior to them. And second, because we ignore the rest of the world, we both miss out on the opportunity to learn from other countries and we fail to see the many ways in which we are not superior. It’s a cyclical problem, and it leads to the kind of spiraling nightmare we’re seeing with gun violence.

I’ve looked at too many depressing statistics over the past weekend to even begin to try to track them all down and cite them here. Suffice to say, while in most other “industrialized” countries the number of gun deaths annually are in double digits, in the U.S. the number is 1000 times that. And consider this: two of the countries I saw gun rights advocates comparing the U.S. to in defending our gun laws were Mexico and Israel. Not exactly the paragons of peace and stability I think we should aspire to. I prefer to look at countries like Canada or, for a more pointed comparison, Norway. Norway had a gun massacre last year. But instead of anyone arguing that more people needed more guns in more places, Norway did what most other politically stable, industrialized countries like it had in the face of such a tragedy: tightened gun restrictions, with the result of fewer gun deaths.

The numbers don’t lie. If more guns makes for a safer populace, the U.S. should be the safest place on earth. One statistic I saw this weekend said there are 270,000,000 privately owned guns in the United States. That’s almost 1-to-1 for every person (children included). And yet our number of gun deaths compared to other countries is literally off the charts (at least depending on how you draw your charts).

I’m not advocating for repeal of the Second Amendment. That will never happen. (For what it’s worth, I think it should happen not because I think all guns should be illegal, but because I think it needs to be rewritten.) I don’t think we need to take away people’s hunting rifles, and I will grudgingly accept that people may feel the need to own a single-shot handgun for protection (even though I would still prefer if they didn’t). But there is simply no explanation I can accept for why any civilian would need or should be allowed to own military-grade weaponry. Nor should they be allowed to store or carry it anywhere near other civilians. No explanation.

Taking away your (recently granted, through the 2005 lapse of the assault weapons ban) “right” to own a combat rifle is not taking away your freedom. But your owning one may very well take away mine.

I could go on for another 1400+ words and barely scratch the surface on this topic, but I think one tweet I composed this weekend said it best:

The Post-it note that started it all

My recently completed rock opera, 8-Bit Time Machine, did not begin as most of my albums do, with a list of song titles to serve as inspiration, an overarching concept, and a handful of drum beats or keyboard grooves.

No, it began with this Post-it note.

8-Bit Time Machine chords Post-it

You see, I keep my cheap Fender Strat hanging next to my desk in the studio, so whenever I feel inspired or just need a mental break, I can take it down and noodle for a few minutes. In September I started tinkering with a chord progression, which I had to write down so I wouldn’t forget it, and then I continued to expand on it and rework it, until it became the structure for track 10, “You’re Not That Old Anymore.”

In fact this chord progression ended up serving as the basis for almost the entire album, as it first appears (in its entirety) on a keyboard in the opening track, and crops up again in bits and pieces in other tracks (especially #2, “Daydream of the 8-Bit Time Machine”, and #7, “(No) Meaning in the Machine”), before getting its full realization in the album’s penultimate track.

I kept this Post-it note stuck right on the front of that Strat for over a month before I actually began recording the album. At that point the chords were in my blood and I no longer needed a cheat sheet to remember them. But I kept it anyway as a rare physical memento of the unusual origins of this most unusual album.

Obviously not everything from the Post-it was entirely relevant. There’s nothing on the album in 5/8, for instance, although perhaps that interest in 5 is what inspired the crazy quintuplet drum fills in the loud section of track #8, “Horizontal Hold”.

Introducing my new album… a ROCK OPERA no less… 8-Bit Time Machine!

Anyone who’s following me on the social medias knows I’ve been working for the past couple of months on what is probably my most absurdly ambitious solo music project to date: a rock opera with a retro-geeky theme.

The album is finished. I’m still working on perfecting the masters before I release it for download and get CDs pressed, but you can now immerse yourself in the full 8-Bit Time Machine experience over on the new website I’ve set up for the album:

8bittimemachine.com

The website features a page for each of the album’s 11 tracks, where you can listen to the track while reading the lyrics and notes about the story. (Note: As the audio is in MP3 format, it will work in Firefox. Any other modern browser that supports HTML5 audio will play the tracks automatically.)

Stay tuned for more information about a final release date!

8-Bit Time Machine

P.S. Yes, there is a track (a rather musical one at that) consisting of nothing but sounds from Atari 2600 games.

P.P.S. Yes, there is also one track with full-on autotuned vocals. How do I rationalize this use of one of my most despised audio technologies? You’ll just have to listen to figure it out.

CSS snag of the day: images in tables with max-width set, not displaying properly in Firefox

When did Firefox become such a steaming pile?

OK, that’s not how I intended to start this. Just kinda had to get it out there. Anyway, a client brought an unusual bug with their website to my attention today.

Since embracing responsive web design last year, I’ve become quite fond of using this little bit of code to make images resize dynamically to fit their containers:

img {
  height: auto;
  max-width: 100%;
  width: auto;
}

Most of the time this little bit of CSS works magic. But in this particular case, it did not. The client has put together a table on a page to present a set of photos of board members. In most browsers, the table looks great and is fluidly scaling down the images. But in Firefox, we found it was clumsily overflowing its borders, rendering the images at their full sizes.

After working my way through a few surprisingly unhelpful posts on Stack Overflow, I found my way to this, which seemed to hold an only-too-simple answer:

table {
  table-layout: fixed;
}

I don’t know about you, but I never use table-layout. I’ve come to realize there’s a whole realm of CSS that I just basically never touch, because it’s (usually) completely unnecessary to the way I build pages. But every once in a while, these things come in handy. Turns out, table-layout: fixed was exactly what I needed to — BOOM! — fix the problem with the too-large table images in Firefox.

And, suddenly, CSS was magic again.

Top 5 Albums of 2012: The Contenders

It’s that time of year again. Looking back through my library, I am reaffirming what I observed when I checked out The Current’s Top 89 of 2012 polling the other day: I really have not been following new music this year.

I’m not sure if it’s because I’ve been much more wrapped up in my business, too busy making my own music (currently working on my third full-length album of the year), or just disinterested in what I’m hearing on the airwaves, but the numbers don’t lie: in 2011 I bought about 50 new albums. This year the number is around 20.

In the past I have eschewed self-published albums here, but as the quality of self-published music increases, and the barriers to self-publication fall with new Internet tools, the idea of signed acts being of inherently higher quality than indie stuff is more ludicrous than ever (and, truly, it always was). I’m still considering the vanity factor and leaving my own albums out of the running, but there’s some other great indie stuff I need to put on equal footing with the kinds of music you can buy on CD at Target or Best Buy. I’m also eliminating my previous restrictions against EPs and live albums, if for no other reason than to pad out this list just a bit.

So, here’s the list. The top 5 itself will be selected from this esteemed group of artists and albums:

  • Absinthe & The Dirty Floors: Side 2
  • Aimee Mann: Charmer
  • Air: Le voyage dans la lune
  • Andre LaFosse: Do the Math
  • Andre LaFosse: The Hard Bargain
  • another cultural landslide: last days last days
  • The Beach Boys: That’s Why God Made the Radio
  • Ben Folds Five: The Sound of the Life of the Mind
  • Coheed and Cambria: The Afterman: Ascension
  • Com Truise: In Decay
  • The Darcys: AJA
  • Donald Fagen: Sunken Condos
  • Field Music: Plumb
  • Grizzly Bear: Shields
  • Muse: The 2nd Law
  • Pinback: Information Retrieved
  • Return to Forever: The Mothership Returns (Live)
  • Rush: Clockwork Angels
  • The Shins: Port of Morrow
  • The Shiny Lights: Morocco

OK, I can be honest and knock a few contenders out right now: there is no way That’s Why God Made the Radio or The Sound of the Life of the Mind will make the list.

This new effort from the Beach Boys is surprising mainly in that it doesn’t completely suck like I expected it to. No, the main reason it’s surprising is that Brian Wilson and Mike Love managed tolerate each other long enough to finish the album (but not the tour). But that shock aside, there are a couple of outstanding tracks, along with a couple of truly appalling ones. (All of which were written by Brian Wilson; the rest are merely mediocre and pointless.)

The Ben Folds Five album is certainly my biggest disappointment of the year though. I’m not sure why, though I suspect it’s mainly just that in the decade-plus since the band’s previous album, my musical interests and those of Mr. Folds have gone in exact opposite directions. Either that or he’s just become a humorless middle-aged hack musical competition judge. Or both. (Full disclosure: I haven’t even listened to the entire album yet. Much like with the last two Phish studio albums, I just can’t do it.)

I’m also going to eliminate the Muse and Coheed and Cambria albums. I just haven’t listened to them enough to be able to judge them properly, but I suppose my lack of enthusiasm for them says enough anyway.