UNDERDOG of PERFECTION

…separate the sorrow and collect up all the cream…?

*WHEW*

As a longtime lover of Willy Wonka and the Chocolate Factory (and, until last night, only a one-time reader of the Roald Dahl children’s novel it was based on), I had been deeply suspicious about Tim Burton’s new screen adaptation from the beginning, but word of mouth plus superlative reviews convinced me that I must see it, and my expectations were high.

I was disappointed.

I didn’t hate the movie, mind you. I just didn’t think it was all that great. In particular, I felt Johnny Depp’s take on Wonka was way off. Too cold, too misanthropic. Rereading the book last night confirmed this for me.

All of this brings me to my point… after seeing the new film on Sunday afternoon, we decided it was time to bust out the sugar-coated-acid-trip Gene Wilder version that night. And we figured our 2-year-old might like it. But we had no idea just how much he’d like it. He’s watched it at least 15 times in the past 48 hours. For the last two days the first thing he’s said upon waking is “Wonka! Wonka!” and it’s the last thing he’s done before bed. (Of course we don’t give him everything he wants… but he’s learning the value of tenacity at an early age.)

As a result of these round-the-clock screenings, I naturally have much of the music going through my head over and over and over and over… which brings us back to the beginning of this post.

(Oh… in case you’re wondering, it’s the candy man.)

I realized what a daunting task it was going to be to use the built-in WordPress functionality to manually copy over all of the articles from my old site database, so I dug under the hood and used the power of SQL to just more-or-less dump everything from one database into the other. So now all (well, most) of the stuff is moved over, and I can begin to disassemble the old site (currently lingering in the link set as “Room 34 Cold Storage”).

If you care to look back at the old stuff (and why wouldn’t you?), you may notice some oddities… that’s mainly due to inconsistencies between my idiosyncratic HTML and the fancy formatting/clean-up WordPress does. I’ll gradually fix that stuff… maybe. (Right after I get around to organizing the basement.)

I’m also tinkering more with the themes. I’ve downloaded several interesting themes that I plan to try out for a while, to get a feel for both their visual appeal as well as the ways they handle certain technical features of WordPress. Once I find one I like, I’ll use it as a basis to build my own, one that incorporates my photography as well. (Will the excitement never end?!)

Oh, I almost forgot to mention… some of the old stuff didn’t have dates, so I hastily and more-than-somewhat arbitrarily assigned them all to January 1, 2004.

Yes, it’s yet another unnecessary room34.com overhaul. In part, I wanted to give blogging a try (again… but this time for real [maybe]). I am also trying out some blogging software for potential use at my company. But most of all… well… why not?

So here we go with WordPress. So far I am pretty impressed. It was extremely easy to install, and it doesn’t look like crap, unlike most of what’s out there (especially in the free/open source world). We’ll see how it goes as I start to get under the hood (but maybe not too much — part of the reason I’m doing this is that I just don’t have the free time anymore to build a full engine to run my personal sites on, as much as I like building PHP apps… it’s just that I need to stick to getting paid to do it!).

Right now I’m just using a stock template/theme/whathaveyou that I downloaded. I hate stock designs though, even the good ones. So I’ll be working on my own custom template soon. But I want to make sure this is the right way to go first.

So, there you have it. At the moment, this blog’s presence here means all of the links to my other sites are gone. (Don’t worry… the sites are still there. What do you mean you weren’t worried? Why not??? Ehh…) I’ll be sorting all of that out shortly.

Another year is almost over (and considering where we’ve come, I can only hope the next four go as quickly… but I digress; besides, I’m still on political vacation). Time to review the sounds that made their way into my ears (or at least onto my iPod) this year…

5. Benoît Charest: The Triplets of Belleville (Soundtrack)

This brilliant soundtrack lifts from such diverse influences as Django Reinhardt and Curtis Mayfield, and works as perfectly as the animated feature itself. Everyone owes it to themselves to experience both the film and its music.

4. Wilco: A Ghost Is Born

I’ve only just begun to delve into this album but it seems to hold great potential. (Plus, Jeff Tweedy lives in my sister-in-law’s neighborhood in Chicago.)

3. Beastie Boys: To the 5 Boroughs

Dripping with ’80s pop culture references, the only question that remains is best spoken in the words of George McFly: “Do you really think I ought to swear?” The occasional expletives don’t detract, however, from such delights as “Think twice before you start flossin’ / I’ve been in your bathroom often,” or “Ad-Rock, a.k.a. sharp cheddar / my rhymes are better / What the Helen of Troy is that? / Did I hear you say my rhymes is whack?” (More on that here…)

2. U2: How to Dismantle an Atomic Bomb

I was groovin’ on “Vertigo” for a couple of months (yes, cranked up to 14), and when the full album “dropped” (pardon the pun) I wasn’t the only one grabbing it from the rack at Target 10 minutes after they opened. This would easily win my best album of the year, were it not for…

1. Brian Wilson: Smile

Wow. Friggin’ holy crap, WOW. Perhaps not only the best album of the year, but of the past 37, since that’s when the former Beach Boy started working on it. No one (least of all Wilson himself) ever expected to see (and hear!) it finished, but here it is. And worth the wait.

Addendum: February 26, 2005

When I wrote this, I hadn’t yet checked out Green Day’s American Idiot. Having pretty much loathed the band before, I didn’t expect much, but this album really is quite amazing! If I were to revise the list above, I would probably put it at #2.

Yes, it’s really here. It’s very existence is almost beyond comprehension… the fact that it is so brilliant, and was actually produced this year pushes it over the edge.

Brian Wilson has completed, and completely re-recorded, the legendary, long-lost SMiLE and it’s a masterpiece.