Three years

Judging by the old posts dredged up by my new WordPress plugin, Room 34 presents On This Day*, it was three years ago today that President Obama was inaugurated.

It’s been a strange three years. The president has probably failed to live up to the (unreasonable) expectations a lot of his supporters put in him, and he’s been too willing to contort himself in vain efforts at compromise, but I think he’s still accomplished a lot, and he’s certainly better than his predecessor (although that’s damning with faint praise).

I’m supporting the president’s re-election, if less enthusiastically than in 2008. And if for no other reason than what last night’s (yet another) Republican debate proved**… they’re a sorry lot indeed.

* Yes, that’s kind of a douchey name for the plugin. I wanted to just call it “On This Day,” but there’s already another plugin (which does basically the same thing, but appears to have been abandoned by its developer) in the repository with that name. This was the best I could come up with, because I think “On This Day” is the best possible name for a plugin that does what it does.

** I’m basing my opinion of last night’s debate, like all of the others, on what I’ve gleaned from Twitter. I would never subject myself directly to watching one of these debates, because a) I already know there is no possible way I’d ever vote for any of these candidates, except possibly under extreme duress, and b) I value my sanity.

Recalling my brush with the DMCA, and how SOPA/PIPA would be immeasurably worse

This MetaTalk post concerning some erroneous DMCA* takedown notices reminded me of an episode from my personal experience that I had almost completely forgotten. It’s a good illustration of how even the DMCA — copyright holders’ current legal blunt instrument to wield against infringers, but nowhere near as powerful as SOPA/PIPA would be — can be used in harmful ways, either maliciously or mistakenly.

A geek, not a criminal

You see, I’m a geek. In particular, I’m a video game geek. I have a huge collection of 1980s video game antiquities. Over a dozen vintage consoles, hundreds of game cartridges. I even have a box full of instruction manuals and those catalogs Atari used to pack in with each game. And for a time earlier in the 2000s, I ran a website chronicling this obsession. I had meticulously compiled a spreadsheet of all of the games in my collection, and turned that into a page on the site, where visitors could (for some unimaginable reason) learn all about the contents of the bins full of 20+ year old plastic and silicon that I kept in my basement. It was harmless (if somewhat ridiculous) fun.

But, you see, there’s this thing called emulation. People have written computer software that emulates the hardware of these old game consoles. And people have also developed ways to “dump” the ROMs (programs) of those games as files that can be run in these emulators, allowing you to play long-lost vintage console and arcade games on your computer.

The nature of the Internet makes it very easy to share these emulators and ROMs. Except, under copyright law, it’s illegal. The emulators themselves are not illegal, and as I understand it, if you own the original cartridges, dumping their ROMs is fair use. But possessing the ROMs without owning the physical game is against the law, and sharing the ROMs online definitely is.

So, the copyright holders in these old games, at least the ones like Nintendo who still have lots of money and actually care about protecting those copyrights, have teams of lawyers scouring the Internet for sites that are illegally distributing ROMs. Under DMCA, they can demand that owners/hosts of infringing sites take down the infringing content, or face legal action.

And that’s where my dumb little video game collection site comes in. I never shared a single ROM on that site (and would never be stupid enough to try). But Nintendo’s lawyers didn’t bother to figure that out. They simply saw an HTML table full of the names of old video games, some of which were Nintendo’s IP, and they contacted my web host at the time, who also happened to be my former boss.

He called me on the phone (a rare occurrence) and was noticeably agitated. He couldn’t believe I was doing something so stupid. Because I wasn’t. Once I reassured him that Nintendo’s lawyers were barking up the wrong tree, his tone changed. He’s a Ron Swanson-esque libertarian, and was ready to fight back. And that’s the last I heard of it.

You’ve probably encountered some DMCA takedowns yourself. YouTube is the most common place to find them. Have you ever clicked a YouTube link, but instead of seeing the video, you were presented with a black box with a message explaining that the video had been removed at the copyright holder’s request? That’s the DMCA at work.

Much worse

Under SOPA/PIPA, YouTube itself could be taken down**. For that one infringement. Any any sites that were linking to that one infringing YouTube video could be taken down as well.

For a couple of years (up until word started spreading about SOPA), I was running another site called “Hall of Prog: A Curated Exhibition of Progressive Rock on YouTube.” Every post on that site was a link to a YouTube video. And given that it was all copyrighted music, most of the videos were probably infringing. Indeed, over the time I ran the site, a huge percentage of the videos on it (especially ones featuring Robert Fripp) were replaced with YouTube’s generic DMCA takedown message. When it started to look like SOPA might pass late in 2011, I decided it wasn’t worth taking any chances, so I took down the entire site. Now it’s just a redirect to americancensorship.org.

I was not making money on that site. There were no ads. And I was certainly not trying to deny the artists/copyright holders (which should be the same thing, but rarely are) their right to revenue. In fact, if anything, I was giving them free advertising. Yes, people make that claim whenever they share something. But I made sure to include links to both the artist and album page on Amazon.com for every video I posted. (YouTube sure doesn’t do that.)

Copyrights (and patents) stand at odds with the free exchange of information. There’s no way around that. As a creator myself, I deeply defend the rights of people who produce creative works to benefit financially from their efforts and to decide how and where their works are distributed. But those rights also have to be balanced with the greater societal good to be gained from freedom of speech and sharing ideas. For decades, if not centuries, means of communication changed very slowly, and copyright law could adapt (or not even bother to adapt) with them. But the Internet has changed everything, and old school copyright holders (especially corporate behemoths like the movie and music industries) have scrambled frantically for the past decade and a half not to lose their foothold — no, make that their stranglehold — over copyrighted content.

I personally believe copyright, as it is currently written, doesn’t work. (That’s why I release my work under Creative Commons licensing.) It doesn’t help that Congress keeps extending the lifespan of a copyright so Disney won’t lose control over Mickey Mouse. (No, seriously… Google it. Tomorrow***.) But I respect the law enough that I make a concerted effort to ensure that the things I do online do not infringe copyright, or are covered by fair use. I cannot, however, just sit back and let the entertainment industrial complex steamroll over my entire livelihood and way of life simply to fight (spurious claims of) piracy.

It’s not too late

The point of all of this is: we already have a law designed to allow copyright holders to take action (before resorting to legal recourse) against copyright infringers, the DMCA. And even that has already been shown to pose the risk of abuse. But the scope of damage the DMCA can inflict is at least mitigated such that it cannot significantly impede the free exchange of information and ideas so critical to making the Internet what it is — something that so many of us depend on every day. We cannot risk what SOPA/PIPA would do to our age of information. (See what I did there?)

Get involved! Go to americancensorship.org to learn more.

Notes

* That’s a Wikipedia link, so you’ll have to wait until after the SOPA/PIPA blackout to look at it.

** SOPA/PIPA is only supposed to apply to sites hosted outside the United States, but this would be hard to enforce, and could easily end up affecting U.S.-hosted sites as well.

*** Yes, I know Google’s “blackout” isn’t really a blackout. It was a joke.

Participate in Wednesday’s SOPA strike

Looking for an easy way to participate in tomorrow’s SOPA (and PIPA) strike? The SOPA Strike website has some code you can use to automatically load this page.

I’ve set up my own customized version, which you’re welcome to use. This does not completely black out your site. Instead, the page loads with a black screen. Then after a few seconds, the words "STOP SOPA" with a "Learn more…" link appear in white. The black box then fades to slightly transparent and animates to the upper left corner of the screen. It then stays fixed in the corner as the user scrolls around. The site is still usable, but the “STOP SOPA” message is ever-present. (Be forewarned: as I did not take the time to set up cookies, the entire process also repeats on each new page load.)

If you’d like to see how it works, I set up an awesome fake site to demonstrate the blackout animation in action.

If your site is already using jQuery, simply copy the code below into your page, ideally just after the <body> tag:

<script type="text/javascript" src="http://atomic.room34.com/sopa_blackout.js"></script>

If you’re not already using jQuery on your site, you just need to include it from Google Code first, like this:

<script type="text/javascript" src="http://ajax.googleapis.com/ajax/libs/jquery/1.7.1/jquery.min.js"></script>
<script type="text/javascript" src="http://atomic.room34.com/sopa_blackout.js"></script>

If you’re using PHP, you can even use this code to automatically make it appear at 8 AM EST and disappear at 8 PM EST. (Update the times as needed to represent your time zone, and remove the Google Code line if you’re already using jQuery.)

<?php
if (time() > mktime(8,0,0,1,18,2012) && time() < mktime(20,0,0,1,18,2012)) {
?>
<script type="text/javascript" src="http://ajax.googleapis.com/ajax/libs/jquery/1.7.1/jquery.min.js"></script>
<script type="text/javascript" src="http://atomic.room34.com/sopa_blackout.js"></script>
<?php
}
?>

Note: As indicated above, I built this quickly, and have not done a lot of cross-browser testing. It’s pretty basic, but it may not display correctly in some older browsers, especially earlier versions of Internet Explorer. Use at your own risk… just like the Internet itself!

Why I care so much about stopping SOPA/PIPA (and why you should care too)

As someone who works with, and is constantly immersed in, the Internet, I’ve been hearing a lot about SOPA (the Stop Online Piracy Act, in the House) and PIPA (the Protect IP Act, in the Senate) over the last couple of months. But I suspect most Americans have heard much less about these bills currently under “debate” in the US House of Representatives and Senate. That’s the way the sponsors of these bills (and their corporate donors) likely want it.

You can read the text of the bills, or the innocuous-sounding summaries the government has published. On the surface, without careful reflection, they seem like good ideas, designed to protect hard-working American creators from having their intellectual property stolen. But the implications of these bills, for freedom of speech, for innovation, even for the very feasibility of their technical implementation, are anything but innocuous, and may irreparably harm, rather than protect, the American economy.

What’s it really all about?

Let us be frank: the true objective of these bills is not to prevent illicit foreign websites from destroying American jobs by stealing our movies and music. It is to prop up a dying dinosaur media industry that would rather kill innovation than have to learn to change. Follow the money. A simple look at the lists of corporate supporters of SOPA/PIPA, along with the corresponding list of companies that oppose these bills, tells the story.

The Motion Picture Association of America (MPAA), the Recording Industry Association of America (RIAA), countless “old media” conglomerates. These are the companies that want these bills to pass, because they are in their death throes after over a decade of spending their dwindling profits on fighting, in any way they can, the changes the Internet has wrought, refusing to admit that the massive profits they achieved from the 1970s through the 1990s were built upon an unsustainable model. These industries refuse to adapt. Adaptation is hard. But the world changes. You have to be prepared to change with it, or die.

So what’s the threat?

The Internet has fundamentally transformed the way people communicate, and as a result it has changed the way they get their entertainment. Sure, piracy is a problem. It needs to be dealt with. But there are also huge opportunities to build profitable businesses legitimately selling entertainment products (intellectual property) online. iTunes, Amazon and Netflix prove that. The problem for old media, though, is that the Internet has obviated their role as a high-markup middleman. Look at Louis CK’s wildly successful experiment in DIY production and promotion. Change or die.

True, as the old entertainment industry contracts, American jobs are being lost. But the entertainment industry is a small piece of America’s GDP. By contrast, the Internet, and more broadly, information technology, is significantly larger. (According to Census Bureau data, in 2008 the film, recording and broadcasting industries employed 643,089 people; information services, software publishers and computer systems employed 3,443,162 people.)

The Internet is possibly the brightest spot in America’s economy right now, and it is profoundly threatened by what SOPA/PIPA could do. So, in effect, Congress is preparing to kill (or at least maim) one of the most thriving parts of our economy to save a sector that is going to die anyway. (I’m trying to think of an analogy to make here but they’re all too gruesome.)

How does it work?

Aside from understanding the true motivations of SOPA/PIPA, it’s just as important to understand the implications these bills have for American Internet companies, our cherished freedom of speech, and the daily use of the Internet, even by Americans who by and large are engaging in purely harmless, infringement-free activities.

I’m about as squeaky-clean as Internet users come when it comes to copyright. Sure, I may have a handful of music files on my hard drive that I got from friends, just like we’d dub cassettes of our favorite CDs back in the late ’80s and early ’90s to share. Ever heard of a mixtape? But the overwhelming majority of my 18,000+ songs were purchased legitimately, either on CD or through download services like iTunes or Amazon. And a lot of the music I own, I purchased because I learned about it through friends. Even if they had already given me copies of the music. Even in the peak of the music industry’s profits from CD sales in the ’90s, that’s how it worked.

(I’m also a content producer myself, as a blog writer and independent musician. I’m skeptical of current copyright law and as such have taken to releasing all of my work under Creative Commons licensing. But that’s a topic for another post.)

The point is, sharing music doesn’t necessarily reduce music sales. I’d argue that, in limited quantities, between friends with similar tastes, it actually encourages music sales. But even if we agree that illicit copying and redistribution of things like movies and music is bad (and, when it’s done at a large scale, I do) piracy is not what’s killing old media — mediocre content and exorbitant pricing are. And SOPA/PIPA can’t help that.

The real danger of these bills is in their implementation. While ostensibly they’re only targeted at foreign websites, their means of recourse against infringers could result in the blocking of entire sites due to the alleged infringing activities of one member. This sledgehammer approach has broad-reaching implications for all Internet users in the United States (to say nothing of what it means for free speech, and the company it places America in amongst governments that censor the Internet).

What’s worse, it won’t even work. Already there is much discussion online of means of circumvention (which I will not link to here), and, worse, it breaks the Internet. I don’t just mean that it is going to destroy the way we use the Internet. I mean it actually runs contrary, on a deep technical level, to how the Internet functions. Even SOPA supporter Comcast (my ISP… for now) admits, albeit inadvertently, that at least on a technical level the requirements of the law are incompatible with how the Internet works.

A threat to America’s small-business owners

I’m one of those fabled “small business owners” politicians so love to talk about. I’ve been freelancing full-time in web development since 2008. Business has been great, even through the worst economic times in America since the Great Depression. All of the work I do is 100% legitimate, for honest, productive American businesses. This is the new economy, and it is America’s best hope for a brighter future. I’m expecting to expand my business this year, becoming an even larger presence in the community and helping to further spur on positive economic activity.

But SOPA/PIPA threaten the way I do business. Republicans in Congress put on some great political theater in 2009-2010 in their fight against “Obamacare,” claiming its provisions represented an undue threat to small businesses. But here we have a real threat to small and growing Internet-related businesses. If passed, these laws will impose odious burdens of monitoring and self-policing upon website owners, and the threat of takedown without due process will have a chilling effect on whether or not new ventures even get started. In short, nothing could more effectively put the brakes on this “engine of growth” for the American economy.

Take action

So what can you do? Old media still has deep pockets, and is well-represented on K Street. It has the ears of Congress. But, last I checked, these elected officials do also still represent us, the individual Americans who will be affected by these bills. So call them. Politely tell them why you believe these bills are bad. Check out other online resources that can help you get involved.

I will admit, however, that personally I have not attempted to contact any of my representatives. I already know that my House representative, Keith Ellison, opposes SOPA. Over in the Senate, unfortunately, Amy Klobuchar is one of the sponsors of PIPA. And, despite his genuine progressive spirit and work on behalf of American individuals, Al Franken is simply too deeply connected to old media not to also back PIPA. I sincerely doubt either of Minnesota’s senators will be convinced to change their position, no matter how many constituents call them.

But your representatives may still be on the fence. Reach out to them. Let them know why you think these bills are not just bad, but downright dangerous for America. The implications for America if they pass are far bleaker than the prognosis for the industries they are intending to protect.

And, this is an election year. Vote. While it will most likely be too late to affect SOPA/PIPA, do your part to make sure none of its supporters get re-elected in November. I have been a strong supporter of Amy Klobuchar in the past, even having donated to her first campaign, but unless she withdraws her sponsorship of PIPA, I will not be voting for her re-election this year.

As someone who works in the Internet, the implications of SOPA/PIPA are huge for me and for my business. But this affects us all.

Tell me more!

As with a lot of hot-button issues, when I get my dander up it’s sometimes hard for me to calmly and clearly explain the rationale for my argument. I’ve linked throughout this post to some great resources for learning more about what SOPA/PIPA is and why it’s bad, but as I come across other sites that do a more effective job of explaining it than I have, I’ll add them here.

Other sites discussing problems with SOPA/PIPA

Updates on the fight against SOPA/PIPA

A tale of two decades

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way — in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.

–Charles Dickens, A Tale of Two Cities

We’re approaching the tenth anniversary of two pivotal events in the early 21st century. One is perhaps the darkest day America has faced since, at least, World War II. The other was the seemingly inauspicious debut of an electronic device that would soon herald an era of unprecedented advancement in consumer technology.

That I should even place the World Trade Center attacks and the introduction of the iPod into the same blog post, much less the same sentence, is surely offensive to some and perhaps befuddling to most of the rest. But I think it cannot be denied that, while September 11, 2001 ushered in one of the darkest political times in American history, at least the darkest in my lifetime, October 23, 2001 — the day Steve Jobs introduced the first iPod — was perhaps the day that we formally entered “the future” as I (and many others like me) envisioned it in childhood: dazzling technological devices that we can carry around in our pockets and, increasingly, seem capable of doing just about anything.

As New York solemnly builds a monument to the tragic loss of over 3,000 lives on that Tuesday morning, an event that will surely be commemorated in countless ways by millions of Americans next month, we technophiles are learning about more sad news, with the resignation of Steve Jobs as CEO of Apple. Though he’s intensely private about his personal life, it is well known that Steve Jobs underwent surgery for pancreatic cancer in 2004, had a liver transplant in 2009, and has had limited involvement with Apple’s day-to-day operations since he took medical leave this past January. His resignation yesterday may mean his health has suffered further declines, but that is not for us to dwell on. Leave Steve alone to enjoy his life as best he can, for as much as he has left of it.

Personal concerns aside, the departure of Steve Jobs marks the end of an era. It would be little exaggeration to declare the past decade “The Decade of Apple” in terms of technology. Apple didn’t invent every technology it sells; like any modern company it relies upon the past developments of others, just as it outsources its manufacturing to companies like Foxconn in China. But the thing that Apple has done, largely due to Steve Jobs and his visionary leadership, is invent ways to turn these technologies into compelling, “magical,” transformative devices. And along the way he has transformed Apple into a finely tuned machine itself, capable of creating these products of unparalleled originality and unlimited usefulness, at highly competitive (sometimes unmatchable) prices, with such efficiency that the company has gone from “90 days away from bankruptcy” (as it was so famously described just before Jobs’ return at the end of 1996) to vying with Exxon to be the most valuable publicly traded company in the world.

I’ve read plenty of gloom-and-doom speculation about the future of Apple without Steve Jobs, especially in the last 15 hours or so since the announcement of his resignation. Most of it is utterly ludicrous. New CEO Tim Cook and the rest of his executive team are more than capable of carrying on producing great products without Steve Jobs (or with him in a far more limited role as Chairman of the Board). Whether, over the longer term, they’ll be able to continue inventing new products as transformative as the iPod, iPhone and iPad (and whether they’ll all have to have names starting with “iP”), only time will tell. But now is clearly not the time to sell Apple stock, if you own any. (And if you don’t, maybe you should buy some… which is what I should probably be doing right now instead of writing this.)

A tale of two decades. While the September 11 attacks, and the wars, economic turmoil and political polarization that followed them, have made the last decade one of the most difficult in our nation’s history, Steve Jobs and his work at Apple have led the way for the past decade to become one of the most exciting and transformative we’ve ever seen in terms of technological advancement and, in particular, what technology can do to improve people’s everyday lives.

So, thank you, Steve Jobs, for providing a counterpoint to what was otherwise a dark decade of foolishness, incredulity and despair. Thank you for bringing to the world your wisdom, belief and hope. I spend much of every day relying on Apple devices, from using the C25K app on my iPhone during my morning run, to building websites in BBEdit on my MacBook Air, to relaxing in the evening watching “Mad Men” on Netflix with my Apple TV.

There are plenty of things going on in the world right now that are cause for sadness, frustration, anger, confusion, and despair. But the simple joy and unprecedented utility of these devices that Steve Jobs and the rest of the minds at Apple have created give me hope. If people can produce things so well-designed, so incredibly useful, so delightful, then perhaps, someday, we can get all of the rest right too.