Top 5 Albums of 2005

OK, I realize that we are now precisely (give or take the days various Caesars stole from February) halfway through 2006, but I still haven’t gotten around to compiling my list of the top 5 albums of 2005. I think I actually did start one back in December but I couldn’t narrow it down, or I couldn’t be bothered to care to finish it or… something.

5. Beck: Guero
A lot of the same critics who praised 2002’s Sea Change for its growth came back to declare Guero a grand return to form over what they now called dark and depressing. Get over it! I actually liked Sea Change better, but anything from Beck is good.
4. Porcupine Tree: Deadwing
Speaking of anything from being good, here we have Porcupine Tree, without a doubt the most undeservingly underheard band around today. This album is so good I can’t even write a coherent sentence about it.
3. Foo Fighters: In Your Honor
Great album. At first I thought the idea of splitting all of the acoustic/mellow tracks onto one CD and all of the rockers onto another was a risky idea, but it actually works out great. The pair complement each other well, and are perfectly suitable soundtracks for diametrically-opposed moods.
2. Coldplay: X&Y
A lot of people I know hate Coldplay, and I just don’t get it. Perhaps they’re overrated now, and it’s just that I started to get into them before they got really big, but I think their music is full of great melodies and atmospheres.
1. Coheed and Cambria: Good Apollo, I’m Burning Star IV, Volume One: From Fear Through the Eyes of Madness
OK, this one had to win simply for the fact that these guys had the cojones to give their album such a title. C’mon guys, it’s not 1974! Unabashed prog rock seems to be making a comeback, but unlike the slightly more successful Mars Volta, these guys don’t pad each track out with aimless noodling filler (and I usually like bloat-prog).

Darn That Dragon!

My mother-in-law bought me the 2-DVD Rush concert set “R30: Rush 30th Anniversary Tour” for Father’s Day. (No, I don’t think she knows about my prog rock obsession, she’s just good at selecting from my Amazon.com wish list.)

Anyway, I was watching some of it today, and it was nice to see how the boys have loosened up with humor in their concerts. (OK, the humor’s always been there; it’s just more blatant now.)

In particular, I was stunned to see what was on the stage behind Geddy. No, it wasn’t a pair of Marshall half-stacks. It was a pair of Maytag half-stacks. Yes, he had two Maytag clothes dryers behind him on stage, spinning nonstop throughout the show. And next to them, one of those rotating sandwich vending machines from a cafeteria. (Well, I didn’t get the best look at it… that’s what it seemed to be, although it might have been a pie display case like those often seen at lowbrow coffee shops.)

Clearly this made quite an impression on me. It wasn’t enough to tell a pair of coworkers plus SLP, as well as emailing two old high school friends who were also Rush fans back in the day. (And when is anyone more of a Rush fan than in high school?) I had to take it a step further and share it with the two and a half people who actually read my blather.

Uhh… wow.

You may be familiar with mashups, but this has to take the cake. It’s a mashup from three music instruction videos.

http://curved-air.com/bitties/kels.mov

And just so I don’t seem like a bandwidth hog, the original page in context is here. (Even though I’m being less of a bandwidth hog by linking straight to the video because I’m not forcing you to download three long QuickTime movies simultaneously! But don’t get me wrong; all three are worth watching… as long as you have broadband.)

Very cool idea. Gets a little stale (and not as well-executed) by the end, but still impressive. And of course, Beaver Felton is the guy who sold me my Music Man StingRay 5. (True, I bought it from his shop, not him personally, but I did have direct contact with him personally both by email and on the phone. Not that that makes me cool or anything.)

Still got the fever…

I was perusing some of the older articles on my site today, such as the one about Bucker and Garcia. For those of you who don’t remember B&G (or, shame on you, were too young to experience them), they’re the one-hit wonders behind everyone’s favorite video game themed song, “Pac-Man Fever.”

Well, as we can see from this video, they’ve still got the fever.

It clearly is a home video, apparently shot in the home music room of either Buckner or Garcia (although I notice that the plaque on the gold record says “Presented to Mike Stewart). Our heroes are set up with a pair of microphones and appear to be performing the song. Buckner (I’ll assume top billing means he’s the lead singer) most definitely is singing live, but the backing music sounds suspiciously canned, despite Garcia’s keyboard (and miraculously chorus-like backing vocals).

I got suspicious when I realized Garcia was lip-syncing the backing vocals even though Buckner was really singing, and when the guitar solo appeared, note-for-note and bend-for-bend consistent with the original that’s permanently etched into my brain from the 8 billion times I listened to the song in 1983 alone, I finally realized what was going on…

You see, it was fairly common for singles released by Columbia Records at the time to include an instrumental version of the song on the flip side. And that is what was playing in Buckner’s spare bedroom. He was doing karaoke to his own song.

Coolest. Name. Ever.

Yesterday I came across what is surely the coolest name ever: Melchior Vulpius.

He was an early Lutheran hymn composer. Apparently his family name was originally Fuchs, but he Latinized it to Vulpius, a fact which thoroughly confounded me until I learned that fuchs is German for “fox.” Thanks, Babelfish!