Tonight Show highlight: Twitter Tracker

I missed Conan’s Tonight Show debut on Monday… completely spaced on it. I heard it was a bit of a dud, so maybe that’s OK. But I watched the entire show last night. Tom Hanks was surprisingly crazy, with his somewhat deprecating, totally over-the-top impersonation of Ron Howard directing him in Angels and Demons, and his lengthy testimonial on the wonders of In-N-Out Burger. (Granted, In-N-Out Burger is freakin’ awesome, and is by a wide margin the thing I miss most about living in southern California.)

Green Day was good — and judging by their body language with Conan, Tom Hanks, Andy Richter, and whoever else was milling about on stage at the end of the show, they seem like they’re genuinely nice and courteous guys, which always surprises me about rock musicians — but this was now the third late-night program I’ve seen them perform this song on, and I already own the album, so it’s kind of enough already.

The highlight of the show, for me, was the “Twitter Tracker” sketch, where absurdly “extreme” (pardon me, “X-TREEEEM!!!!!”) voice overs and equally ridiculous motion graphics combined to try, and fail, to make utterly banal “celebrity tweets” seem exciting. A monster truck show, Twitter is not.

Burnt Snow: a new EP available at Sidedown Audio

Room 34: Burnt SnowI am very pleased to announce today’s release of Burnt Snow, my latest EP, as part of the Sidedown Audio Bite Size EP series.

Sidedown Audio is a Chicago-based boutique record label that is the brainchild of the inimitable Joshua Wentz. I’ve gotten to know Josh since we “met” during the 2008 RPM Challenge, and I’m continually impressed with his talent, creativity and ambition.

The Sidedown Audio Bite Size EP series is a monthly set of 3-track EPs by independent musicians, with cover art by Josh, available for a limited time as $2 digital downloads. He’s got some great musicians contributing to the project and I’m pleased to be among them!

Burnt Snow was recorded in April and May 2009. The first track, “Imperfect Storm,” is a symphonic prog-style, 7-minute epic with sweeping guitar melodies and plenty of Mellotron. “It Isn’t What It Is” is a lighthearted funky jam with traces of the Red Hot Chili Peppers and some crazy synths. “At the End of the Day (Is the Night)” is a piece of Summers and Fripp-inspired minimalist electronica, with interlocking guitar lines and intriguing synth washes.

The EP is available exclusively from Sidedown Audio now through September. For two dollars you get all three tracks, a 3-page PDF booklet, and a few surprises. Check it out!

New blog: Hall of Prog

It occurred to me tonight, while reading a post on outsidedown, that I know of two sources on the planet of encyclopedic knowledge of progressive rock: YouTube and my own brain. And YouTube is catching up.

With that in mind, I have started a new blog: Hall of Prog: A Curated Exhibit of Progressive Rock on YouTube. The idea is simple: there are tons of videos of obscure 1970s progressive rock bands on YouTube. All you have to do is search for them. But you have to know what to search for. That’s where I come in.

The plan is to post a link a day (or more) to interesting progressive rock performances available on YouTube, with a small side dish of my own commentary. Though not usually known for brevity (a trait I share with most prog rockers), I will keep my writing to a minimum, and let the music speak (ad infinitum) for itself.