Ch-Check It Out

Two posts in the span of 15 hours… maybe this is a blog! AAAARGH!!!

Anyway… the point this time around is that you really should check out the video for the new Beastie Boys single, Ch-Check It Out.

Room 34 Sputters Back to Life…

PostNuke is out the window. I’m back to my old ways… PHP-based display pages and entering my content directly into the database, by way of phpMyAdmin.

Most of the Can of Worms articles (at least, the decent ones) are moved over now, and almost all are displaying correctly. The rest of the stuff is on its way.

My biggest problem right now is remembering that these files end with “.php” instead of “.asp” (and it saddens me that the latter is my brain’s default file extension [and if you actually get that you’re as big of a dork as me {and the only reason I created what is now a triple-parenthetical aside was just so I wouldn’t have to do the grammatically-correct but logically-weird period inside the quotes, or the logical but incorrect period outside the quotes… but now I am on a mission to make this the most ridiculously excessive parenthetical ramble in my illustrious career of writing rambling parenthetical asides}]).

Now where was I?

I forget. Anyway… the site is back, and ongoing changes will be… ongoing. Enjoy.

The Cheat Is off the Hook

I swear it’s not a blog, but I guess really it is. Anyway, I figured the inaugural entry in my blog-not-blog should be true to blog (not blog) form, and feature “the super cool new link I just found that all y’all’s got to check out.”

I have been a loyal Homestar Runner fan for about a year now, but today’s offering, New Boots (“Powered by The Cheat!!” [sic on the exclamation points, BTW]) deserves special attention.

I was laughing to wake the baby… I thought it was over… and then… and then…

“Gimme a chance ta do a hip-hop dance!”

What are you waiting for? Go! Now!

Entropy

6:00 AM. The strident shriek of my alarm clock jolts me awake.

I slap the snooze button.

6:09 AM. Another shriek. Another slap.

6:18 AM. I put the clock and myself out of our collective misery and stumble to the bathroom.

Less than 1% of the water on Earth is considered “fresh,” which is to say it is not seawater. A far smaller fraction of that so-called “fresh” water is actually potable. I crank the faucet on the shower and ease myself under the steam and hot spray. Several gallons of pure, drinkable, truly fresh water mix with soap suds and a day’s worth of human sweat and oil, and swirl in a clockwise motion (the Coreolis Effect being, at this magnitude, a misunderstood non-phenomenon) down the drain. Into the sewer system. Into the next phase of their existence as part of that 99%+ of the world’s non-potable water.

I dry myself off, get dressed, fill my Thermos, and walk to the car. I turn the key, hear the engine roar. Its pistons fire, burning a highly-refined form of petroleum that was once, millions of years ago, the flesh and substance of untold species of flora and fauna. They lived their lives, died, decomposed, were covered over by the decomposed substance of their progeny, subsumed beneath the surface, compressed over the eons, turning to a mysterious black liquid that one day would become more valuable than gold to a species that did not yet exist. A substance that would generate untold wealth and wars, things that also did not yet exist.

A gallon of this refined liquid, formed over the millennia, transports me in comfort and — barring an unexpected collision with an SUV, the playground bully of the Interstate highway — safety from home to office.

8:30 AM. I turn the key, open the door, and walk to my desk. I sit down in front of a box of metal and plastic, a precision device, assembled in Mexico by laborers whose annual wages might… perhaps… allow them to afford one of these devices themselves, were it not for more basic needs such as food and shelter.

This box is already obsolete, and those laborers are hard at work even now as I sit at my desk, assembling the latest replacement units that will themselves pass with great haste into obsolescence, soon to find their permanent (for the next several tens of thousands of years, anyway) home in a landfill, next to the mounds of paper towels I used to dry my hands in the office lavatory and the styrofoam container and waxed-paper cup from my lunch today and eventually the larger box of metal and plastic as well, the one with 4 wheels, which burns 2 gallons of that refined liquid daily to transport me to this office and back home again.

The Mysterious and Elusive Sears Exclusives

The small town where I grew up had a fairly limited selection of available cartridges for the Atari Video Computer System (VCS, later rebranded the 2600), even when I acquired mine, at the peak of the innocent, naive, pre-crash frenzy, in May of 1982. Kmart and the small Kay-Bee toy store in the local mall were pretty much the only places you could go for this crazy new technological marvel, the home video game.

We didn’t have a Sears store anymore, its vacant anchor space in the sparkling new North Main Street commercial district (which has since become a grayed, decaying industrial district) having recently been filled by the town’s exciting new Kmart store. (More recently, the space, long abandoned by Kmart’s migration to the town’s sparkling new 18th Avenue commercial district — and now drastically renovated in an abominable and already “dated” 1990s architectural style — has become the home of the world-renowned Spam Museum.) As a result, I had no idea that Sears had its own version of the Atari 2600, complete with repackaged versions of Atari’s games, plus a few exclusives. (Even at the tender age of 8, however, I was already well-aware of the bizarre practices of Sears, Roebuck & Co. of selling products only under its own brands, even if those products were — as with the Sears Video Arcade — simply those of other manufacturers with new brand decals attached.)

I remember well my first encounter with a “Sears exclusive” Atari cartridge. At the time, I was deeply engrossed in the enticements of the game catalogs Atari shrewdly packed in with each cartridge sold. And in my insular little world, I was convinced that, thumbing the pages of the catalog, I had the entire library of games for the system at my fingertips. The concept of third-party games was wholly unknown to me, awaiting my discovery of the wonder of wonders, Activision, at the neighboring larger city’s Musicland store. The infallible comprehensiveness of the game catalogs I had studied and memorized had only recently met its first challenge, when I acquired a dusty, back-of-the-rack copy of Video Olympics, packed with an old (two whole years old, old!) catalog that featured two discontinued games: Flag Capture and Surround. “How can this be?” my 8-year-old brain wondered. “If they made these games, why would they stop selling them?” My childhood obsession with Atari taught me not only a love for electronic gadgetry and a modicum of hand-eye-coordination, but also some valuable lessons about graphic design and marketing, which have actually been somewhat useful in my adult career.

Anyway, as I was saying, I remember well my first encounter with a Sears exclusive. It came on the heels of the experiences outlined in such prolonged manner in the previous paragraph. As a child, I spent my days at my grandparents’ house while my parents were at work — a distinct advantage of living in the same town as one’s grandparents. Their next-door neighbors had 5 kids, the youngest of whom was a girl two years older than myself. She and I were close friends for many years. Thus it was that I was in these neighbors’ basement rec room, playing some of their Atari games I did not own (“Football,” for some reason, stands out in my memory), when I discovered something that shook my Atari worldview to its very foundations:

Steelplechase.

“Uh… what is this?” I wondered, perhaps aloud. An Atari game, but yet, not quite an Atari game. A strange artifact from an unknown world. Unfortunately, my 8-year-old attention span, already becoming frayed by another recent invention (MTV), was insufficient to sustain the intrigue. Oh yeah… and then I actually played the game. Not terrible, but… well… ehh…. Nothing to get that excited over. It was promptly long-forgotten.

My second encounter with a Sears exclusive came about 8 years later, in high school. All of my friends had, in the late 1980s, packed their Atari consoles away in a dark, musty corner of the darkest, mustiest closet they could find in their respective homes, to be replaced by the latest and greatest, the Nintendo Entertainment System. I never got a Nintendo. (In fact, I still don’t have one today… but it’s not for lack of trying.) I did covet the system many times, however, playing Super Mario Bros., Castlevania, Gauntlet, and the rest on their systems during junior high and high school sleepovers. Meanwhile, I kept the Atari flame alive, fanned by two marvelous, recently-acquired games: Solaris and Yars’ Revenge. The latter, a classic long-missing from my collection. Simple, to a fault. But oh-so addictive. The former, a wonder. Truly an impressive achievement for the system, and good enough to sustain me in my delusion that my Atari was just as good as that stinkin’ Nintendo crap my friends all had. Plus, I never had to give my cartridges the infamous “blow job” to get them to work, either! (Nothing X-rated here, folks… if you’ve ever spent any time playing a Nintendo Entertainment System, you know exactly what I’m talking about.)

One day in high school, one of my traitorous, Nintendo-loving compadres informed me that his parents were having a rummage sale (known to those of you in various other parts of the country as a “garage sale” or a “yard sale” or a “see how much money I can get for all this old crap I don’t want anymore sale”). He also informed me that he was planning to sell all of his old Atari cartridges at it, although he’d let me have first dibs on any of them that I wanted. I can’t remember now if he actually expected me to pay for them or not. But I am inclined to think he did. What the hey… I was rakin’ in the big bucks as a grocery bagger at the time, and he was unemployed, trying to earn enough scratch to buy the latest iteration in the “Mega Man” series, so why not help a chum(p) out?

I remember a few of the specific games I got in the deal. Cosmic Ark and Maze Craze were a few of the most anticipated in the bunch. And then there was this oddity called “Strategic Space Combat Game.” At least, that’s what I thought it was called, because the end label was missing. My friend informed me that it was actually called Stellar Track, and that it was one of his favorites. (The similarity of its title to “Star Trek” did not occur to me at the time.) Without an instruction manual, and in the days before all such information was archived for the ages on the Internet, the game was essentially useless to me, however, and to this day I have not given it more than a few cumulative, lifetime minutes of my attention.

I went on with my life… went to college, got married, moved to California, got a job, moved back from California, got another job, etc. etc. The Atari followed me in my many and varied journeys, and eventually acquired a companion/rival when I added an Atari 7800 to my collection in 1997. Somewhere along the way, my childhood interest in the numbering sequence of Atari’s games, and the mystery of CX2614 and CX2617 was answered. (Ah… of course, I thought, when I learned that those unused slots had been reserved for Steeplechase and Stellar Track respectively.) But there was still a nagging question, deep in the cavernous recesses of my brain: What of CX2647?

In May 2002, nearly 20 years to the day after I had first gotten my Atari 2600, I was introduced to the wonders of the AtariAge website. To be sure, I was disappointed that it bore no relation to the old Atari Age magazine from days of yore (although that disappointment was tempered recently when high-res scans of every issue of the rag were added to the site’s extensive archives). But the breadth and depth of information on the site was simply mind-boggling, and I pored over it exhaustively for days on end.

And at last, the mystery was solved. Submarine Commander. The missing piece!

I just recently added Submarine Commander to my collection. Having finally picked up Steeplechase sometime in mid-2002 (along with a newer, intact picture label copy of Stellar Track), I can now say that my collection of the Sears exclusives — all three of them — is at last complete.

But, being a naturally inquisitive soul, as well as an Über-geek who delights in irrelevant minutiae, some unanswered questions linger:

  • Why were these 3 games released in Sears stores only?
  • Did Sears have an agreement with Atari to produce “Sears exclusives?”
  • Did Atari think these 3 games were too weak to be released under their own label?
  • If they were so bad, why did they bother to release them at all?
  • Why didn’t Star Ship meet a similar fate?