Geek Sonnet No. 1

‘Tis true, once I had learn’d of dual screens,
My first thought was Nintendo had gone mad.
But as the months went by, the people saw
The wonders of this little handheld game;
And, by and by, the Sony PSP
Did not catch on as well as Sony’d hoped.

T’was the DS that gain’d more market share.
Meanwhile I kept my distance from them both;
For me the GBA SP was fine,
Although I must admit its screen was dim.
I knew its days were coming to an end,
And so it was that I schlep’d to Best Buy.

And now the DS rarely leaves my hand,
but when it does I long to play again.

I’m “The Dude”

I had a real life Big Lebowski moment today.

I was driving the kids to Como Zoo. We had just pulled into the right-turn lane from Snelling onto Midway, when some (pardon) asshole in a car next to us threw a lit cigarette butt through my window. It hit me right in the head!

I had to pull over quickly and locate the butt, since it was still smoldering. It had fallen down into the plastic well on the floor between my door and seat. There were unburned shreds of tobacco on my shirt and shorts, and the car still smelled of cigarette smoke when we returned from the zoo two hours later!

The fury I was feeling at that moment was quickly offset by my overwhelming sense of pride over the astounding parallel parking job I did when we got to the park. As usual on summer weekends, especially when the weather is nearly ideal, as it was today, parking spaces were scarce in Como Park. I managed to locate a very tight space, most certainly available simply because no one was brave enough to attempt to sqeeze in.

Now I am no great parallel parker. In fact, when I took my driving test at age 16 I got perfect scores on everything except the parallel park and hill park, both of which I failed completely (that is, zero points). Luckily it all came out in the wash and I still got my license without having to retake the test. Here we are 16 years later, and even now I get nervous when the need arises to parallel park. Fortunately, several years of living and driving in large cities have forced me to improve my skills… somewhat.

I went for it. And I made it. Sure I bumped the truck behind me a few times, but that’s what bumpers are for! In the end I was nestled tightly with about 4 inches of space on either side. I had to climb across my hood to get over to the passenger side of the car, before I realized that next time it would be easier to just go around the truck parked behind me.

I was so impressed with myself, I had to take a picture.

Parallel parking gets pwned!

Fortunately, by the time we left, both vehicles surrounding us were already gone, and their replacements gave us plenty of maneuvering room.

Addendum (July 10, 2006) — I’ve been thinking about this more, and I believe I have my Big Lebowski reference wrong in a number of key ways. First off, I knew from the beginning that a few points were different: I wasn’t holding a roach clip in one hand and a beer in the other, and I didn’t crash my car while trying to retrieve the flaming butt from my crotch. (Boy, that sounds worse than it is.) But now that I think about it, I don’t recall whether the aforementioned “flaming butt” was thrown in his window by a passing vehicle, or whether it was his own, and he was just a poor shot. I’ll have to watch the DVD again to refresh my memory.

‐.‐‐‐.‐‐‐‐..

Wow. For all my many years of waxing and waning Rush fandom, including having played several of their songs on the bass myself in a band a few years back, I never knew this about one of their oddest songs, the instrumental track “YYZ.”

Yes, of course I know YYZ is the code for the Toronto airport. But what I never realized, even as I was playing that rhythm, is that the opening of the song spells “YYZ” in Morse Code!

(I must admit I have some misgivings about saying I never realized it. I vaguely recall that as my bandmates and I were working the song out — from memory, not a recording — I was convinced that the last part of long beats was 5 and not 4, but the other guys might have used the Morse Code argument to prove me wrong. In fact, even tonight as I read about this and played the song in my head, I was still thinking it was 5, and, in my usual cocksure way, thinking “these websites have it wrong!” or “the band messed up the ‘Z’!” But then I actually listened to the song and realized it’s 4. Then I assumed the band I was in must have played it wrong, since I was so sure it was 5. So I listened to our recording of it and sure enough it was 4 there too! I guess the only thing that proves is that once again, it’s a bad idea for me to stay up too late on a Saturday night surfing the web.)

Here’s some more on the matter…

While I’m on the subject of Rush, I quickly googled (yes, it’s officially lowercase now, much to Google‘s chagrin) and was surprised to discover that, apparently, my high school friends and I are the only ones in the entire wired world who ever thought the band’s self-titled debut album cover looks more like it says RLISH than RUSH.

Top 5 Albums of 2005

OK, I realize that we are now precisely (give or take the days various Caesars stole from February) halfway through 2006, but I still haven’t gotten around to compiling my list of the top 5 albums of 2005. I think I actually did start one back in December but I couldn’t narrow it down, or I couldn’t be bothered to care to finish it or… something.

5. Beck: Guero
A lot of the same critics who praised 2002’s Sea Change for its growth came back to declare Guero a grand return to form over what they now called dark and depressing. Get over it! I actually liked Sea Change better, but anything from Beck is good.
4. Porcupine Tree: Deadwing
Speaking of anything from being good, here we have Porcupine Tree, without a doubt the most undeservingly underheard band around today. This album is so good I can’t even write a coherent sentence about it.
3. Foo Fighters: In Your Honor
Great album. At first I thought the idea of splitting all of the acoustic/mellow tracks onto one CD and all of the rockers onto another was a risky idea, but it actually works out great. The pair complement each other well, and are perfectly suitable soundtracks for diametrically-opposed moods.
2. Coldplay: X&Y
A lot of people I know hate Coldplay, and I just don’t get it. Perhaps they’re overrated now, and it’s just that I started to get into them before they got really big, but I think their music is full of great melodies and atmospheres.
1. Coheed and Cambria: Good Apollo, I’m Burning Star IV, Volume One: From Fear Through the Eyes of Madness
OK, this one had to win simply for the fact that these guys had the cojones to give their album such a title. C’mon guys, it’s not 1974! Unabashed prog rock seems to be making a comeback, but unlike the slightly more successful Mars Volta, these guys don’t pad each track out with aimless noodling filler (and I usually like bloat-prog).

Road Geek Rage

No, I am not experiencing road rage. I am simply a raging road geek.

A little caffeine too late in the day (not to mention curious preoccupation with discovering the mystery of eon8) has kept me up well into the night.

I’ve been thinking a lot about my recent trip to D.C. and Baltimore, and in particular about the roads there, as I did a fair amount of driving in my 3 days in the area.

I’ve always been fascinated by roads, in particular the Interstate highway system, and in even more particular with anomalies in the Interstate system. The Interstates were conceived as a massive public works project and also as a vision of taking America into a bold, gleaming, gasoline-fueled future. But somewhere along the way reality stepped in and many planned freeways were never built, such as I-335 in Minneapolis or whatever they’d have called Ayd Mill Road in St. Paul if it had become a real freeway.

You can see remnants of such works throughout the country in the form of blocked-off ramps to nowhere or peculiar artificial mounds where bridge embankments had been created but the bridges themselves never constructed.

One thing that’s striking about Baltimore is that, for all of its interesting history and charming neighborhoods, it also has more than its fair share of blight. That was another unexpected side effect of the construction of the Interstate system. (Well, I doubt it was that unexpected to the large numbers of mostly African-American residents who were displaced by eminent domain or who saw their neighborhoods sliced in half by right-of-way lines planned by the mostly white, crew-cutted proto-geeks working in the various state departments of transportation in the ’50s and ’60s.)

While studying the map of Baltimore in anticipation of my upcoming visit, I noticed something rather odd: an “orphaned” stretch of freeway running through a part of the city west of downtown. As it turns out, this freeway, now signed as US 40 but originally identified as I-170, was a failure on a scale that puts Ayd Mill to shame. I didn’t get a chance to drive this road (and I suspect that if I return to the area I probably won’t have much cause to then, either, unless I can convince my family that it’s worth going to an undesirable neighborhood just to drive on a pointless stretch of road), but thanks to insomnia and the wonders of the Internet, now I can feel like I did.

There were also some interesting freeways in the D.C. area, such as the long stretch identified only as To I-295 because, even though for all intents and purposes it really is I-295, it cannot be designated as such due to federal standards for Interstate-grade roadways.

On a less dismal note, I had a couple of other interesting freeway experiences. First, driving into D.C. on I-66, I was surprised to discover that, once you crossed the Beltway, all lanes of the freeway were designated as HOV during rush hour. (Yes, in other words, if you’re driving by yourself, you have no business whatsoever being on I-66 inside the Beltway between the hours of 5:30 AM and 9:30 AM on weekdays.)

The other, and undoubtedly most pleasant, discovery was the Baltimore-Washington Parkway, identified inelegantly on some signs as the “Balto-Wash Pkwy.” This is, surprisingly, a 4-lane freeway, with relatively brisk-moving traffic, managed by the National Park Service, connecting Baltimore and Washington, and perhaps sometime in the distant past actually signed as Maryland (and D.C.) 295, as shown in my 2006 road atlas. The most surprising feature of this road was that it was densely tree-lined for most of its run, completely devoid of billboards and rarely within sight of any artificial structures other than the road itself. Best of all (especially since I drove the entire return trip in heavy rain), commercial trucks are not allowed.