A new song (and a new title)

I’ve just posted an early, as-yet-incomplete version of my latest track, “Every Stroke of the Oar Seemed to Enrage the Missouri.” The title is a line from an old educational film from the ’50s that surfaced as part of a video project at my job.

Highway 34 RevisitedI’ve also given the album its proper title now. Hors d’Oeuvreture is out, Highway 34 Revisited is in (with all due respect to Bob Dylan). The cover is not finalized, but as with the music, I have posted an in-progress version of it.

To read more and listen to full-length MP3s of the tracks, visit the album’s page.

Good source for wallpapers (or as we call them in the Mac world, desktop images)

As is usually the case, I’m probably the last sentient being in the known universe to discover this, but anyway… I was in the mood to find some new wallpapers today. (I’m running OSXplanet on my Mac desktop but I needed something new for when I’m running Windows… and the ones that come with XP leave a lot to be desired, such as the proper resolution for my widescreen laptop display.)

So I googled “1280×800 desktop images” and this is what I found…

Love Spatula (I don’t know what it means either)

The first release candidate for the track formerly known as “Bluesy Groovesy” is ready.

As for the title… I have a list I’ve been compiling over the past couple of years (ever since I finished my last solo CD, which was in June 2005) of potential song titles. That’s been the source of most of the titles I’ve used so far in this project. (I’m saving the best few for last… but it’s mostly just about finding a title that seems like a good match for the music.)

Well… I had this one title in the list. “Love Spatula.” I have no idea what it’s supposed to mean, and I can’t remember why or how I came up with it. It seems like it’s probably one of those situations where I misheard someone speaking to me, thought they said “love spatula,” and found the phrase so strangely intriguing that I had to write it down.

At any rate, it seemed fitting for this song, for whatever reason. Enjoy.

Note: To conserve server space, I’m clearing out older versions of the Hors d’Oeuvreture songs. Visit the album page to hear the latest available version of each track!

Fair and balanced journalism: let every idiot with an uninformed (if not willfully ignorant) opinion have a voice!

I have to admit it, I’m a glutton for punishment. While I may not be able to tolerate watching the narcissistic twentysomething drivel that’s on MTV 25 hours a day (what happened to music videos?), I do seem to be strangely drawn to that which I loathe in the media. It’s kind of like holding your hand over a burning candle or eating a habañero pepper: an endurance test. So occasionally I’ll turn on Fox News or flip the car radio over to the blowhards on KTLK, and just see how long I can stand it.

Such is the case with Katherine Kersten, a “writer” for the Minneapolis StarTribune, whose “column covers a range of topics reflecting her experiences and interests, with a special emphasis on American culture, politics, religion, family life and education” according to her bio blurb.

What are her qualifications for twice-weekly space in the state’s most widely circulated newspaper? Beats the hell out of me, but clearly I’m not the only person who’s asking the question…

123456

And that’s just out of the first 10 results that came back on Google. (Of the other four, two were official Strib pages, one was an article she wrote for that bastion of fair and balanced journalism, the Wall Street Journal, and the other was for an anti-public education think tank.)

Suffice to say, Kersten’s empty-headed regurgitation of every imaginable right-wing talking point is scarcely worth dissecting, but that leaves unanswered the greater question of what possible qualification she can have for this job. Perhaps it’s just a sad reflection of the state of journalism in the U.S. today that so little attention is paid to getting the facts, as long as “both sides” (yes, there are always two—and only two—cut-and-dried sides to every possible issue) get their equal share of airtime and/or column inches.

And, of course, since the left has been and continues to be grossly over-represented in the media (just ask Rush Limbaugh… or Sean Hannity… or Bill O’Reilly… or— hmm…), it is now every TV, radio station and newspaper’s duty to graciously cede as much time and space as possible to any random Joe or Jane Redstate who has a larynx or basic typing skills.

After a little more digging to try to find any hint of Katherine Kersten’s journalistic credentials—specifically, changing my Google search from Katherine Kersten to "Katherine Kersten" biography—I came across this blog. (Yes, it appears that just about the only place online where her existence is acknowledged, besides at the Strib’s own site, is on blogs complaining about her appalling Strib column.) I’m still not any closer to her résumé, but I thought this blog was worth linking to anyway. It’s not easy to nail down exactly where this writer stands politically; unlike Kersten’s hackwork (and probably mine as well, but I’m not on the payroll of a major newspaper) his writing seems to be well-informed and reasoned, and removed enough from direct opinionated rant to allow the reader to form his or her own opinion.

Well, we have this unbiased source (check the URL), which identifies her impressively as such: “Katherine Kersten is Director of E-Pluribus and Distinguished Senior Fellow for Cultural Studies at Center of the American Experiment, a conservative think tank in Minneapolis.”

Hmm… fascinating. I’m not really sure what “Director of E-Pluribus” means (or even might possibly mean), and I also don’t know what it takes to become a “Distinguished Senior Fellow for Cultural Studies” at a think tank no one I know has ever heard of, even though it’s based right here in town, but I’ve just found a nice and tidy list of companies to boycott.

I harbor a secret fantasy: I truly want to believe that Katherine Kersten is part of the same realm of subversively parodic entertainment as the Weekly World News or professional wrestling. Perhaps she really belongs with the likes of Phil Hendrie (or to a less covert extent, Stephen Colbert). Maybe I’m just taking her too seriously; I’m not in on the joke. But sadly, I don’t think it’s a joke. Or if it is, it’s not a very good one.

The quest for truth continues. If anyone out there happens to know what Katherine Kersten did prior to writing for the Strib, particularly anything that might actually qualify her to write for the Strib, please let me know!

Scott Anderson is Director in Extremis and Distinguished Senior Fellow for Something Something Blah Blah Blah at Center of the Known Universe, a wondrous place that only he knows about.