UNDERDOG of PERFECTION

Is Apple ever going to properly address the inevitable, relentless growth of peoples Photos libraries?

I just got a new MacBook Pro with an M4 Pro chip, to replace my 3-year-old MacBook Pro with an M1 Pro chip. That older machine was fine, but, well… something in my gut just told me that if I was considering dropping two grand (minus some trade-in value) on a new computer manufactured in China, maybe I should do it before the end of 2024.

Anyway… I have the new MacBook Pro, and it’s pretty great. It’s essentially this year’s version of the same machine it’s replacing. The off-the-shelf model with a 14-inch display and a 512 GB SSD, at the same retail price. The upgrades are all in the Apple Silicon SoC: M4 Pro in place of the M1 Pro, with more cores and 50% more memory. A worthy upgrade to an already solid configuration.

I say “solid” because… well, I’d really like to have more disk space. I do a lot of video editing these days, and that requires a lot of storage. The problem is, Apple charges a ludicrous markup for increased disk capacity. And since external SSDs over Thunderbolt 5 are as fast as internal SSDs, I can get a 4 TB external disk for not much more than a meager 512 GB upgrade to Apple’s internal disk. The choice is obvious, even when weighing the convenience factor.

Which finally gets me (almost) to my point. Last night, after I had everything set up on the new Mac (I chose to manually install apps and copy files, so I could control what did and didn’t get moved over from the old Mac), I had over 300 GB of disk space free. This morning I sat down and was surprised to see I only had 180 GB free. What gives?

Well… what gives is the Photos app. I hadn’t even opened it — on purpose, for the exact reason I’m about to describe — but since I had logged into my iCloud account, the Mac “conveniently” automatically downloaded my entire Photos library from iCloud onto the Mac.

Do not want.

On my previous Mac, I had long since shuffled the Photos library off to an external disk. Honestly I never even really use Photos on my Mac, partly because my library is an unwieldy, 120 GB mess of close to 57,000 images¹. But mostly because Apple gives users (almost) no control over how the files are managed on their Macs:

So, basically, you have three options:

Fill up all of the space on your hard drive with your photo library.
Fill up all of the space on your hard drive with your photo library, until your Mac decides you’re running out of space, then let it decide how much space to free up.
Don’t have your photos on your Mac at all.

The default is #2, but it’s a pretty crappy option. Because for your Mac to know how much disk space to keep free, it needs to know how you intend to use it. If I’m not currently working on a video project, I don’t need much space. But if I am, then I can go from needing next to nothing to suddenly needing 200 GB or more of free space. Which means I always want to keep at least 200 GB free, in case I’m about to start on a video project. Once I’m rolling, I don’t want to be distracted with figuring out how to free up space.

Now here’s a twist: since, as I mentioned, external SSDs over Thunderbolt are essentially as fast as an internal SSD, you can easily edit a Final Cut project directly on an external disk. In fact, I do that a lot. But not always. I still want that free space.

Fortunately, Apple does provide a way to put your Photos library on an external disk. It’s easy and it works. But you shouldn’t have to do that.

The thing that really kills me is that it would be so simple for Apple to resolve this issue. All they’d need to do is add a slider to the settings tab from the screenshot above, letting the user set a minimum amount of disk space they want to keep free. Why doesn’t Apple do this? I feel like there’s a very intentional reason. And I think I’d be exasperated if I knew it.

¹ Apple is really to blame for the mushrooming library, too. Their automatic tagging by date and location, and AI-assisted tagging of subjects like individual people, pets, etc., make it so easy to find specific images that there is no incentive to put any effort into culling the junk from your library. Growing libraries lead you to pay for larger iCloud storage allocations to hold them. There’s a reason “Services” is Apple’s fastest growing revenue segment. But all of that aside — whatever, I really am not bothered by it — the one place Apple is completely shitting the bed on all of this is handling on-device storage.

Why are major WordPress plugins not bothering to fix their numerous PHP 8.1 deprecation notices?

I’m an early adopter for a lot of things, but new versions of PHP are generally not one of them. PHP 8.1 wasn’t really on my radar until I set up a new server running Ubuntu Linux 22.04, where PHP 8.1 is the default version.

Yeah, I’m a commercial WordPress plugin developer too, but my business is small. It’s easy to understand me not being 100% on top of this.

What I do not understand is how huge WordPress plugins like Jetpack, WooCommerce and Wordfence can get away with not being on top of it.

The general response these developers are giving when questioned on this is, “they’re only deprecation notices, everything should still be working.” Which is true.

But.

Are you a developer? Do you ever need to turn debugging on? Have you seen what happens when you have multiple plugins active, each of which generates 5-10 PHP deprecation notices on every page when debugging is turned on?

Aside from making the site, and especially the WordPress backend, borderline-to-entirely unusable (which, honestly, is a bigger problem than what I’m about to say), it also makes normal debugging impossible. It’s hard to find real issues when you have to wade through more than a screen’s worth of irrelevant deprecation notices. And the sheer volume of the notices breaks page layouts to a point where it’s impossible even to know what is or isn’t broken.

I actually blame PHP for this. I don’t know what they were thinking with some of these changes that are triggering all of the deprecation notices. I know “real” programming languages aren’t as loosely typed and lenient with sloppy coding as PHP is, but… well, it’s kind of too late to put that genie back in the bottle. I haven’t bothered to investigate exactly what the rationale is for no longer allowing null input to string handling functions. What I do know is that there’s a ton of code out there, written by competent, experienced developers, that is now triggering these warnings, because until now it was always fine to equate null and an empty string.

Anyway, principled arguments aside, I have a more practical frustration to deal with right now… I’m finding it hard to do my work, because other people haven’t done theirs.

Dolby Atmos through MacBook Pro speakers: DO NOT WANT

What are your thoughts on Dolby Atmos?

More specifically: what are your thoughts on Apple Music automatically playing songs in Dolby Atmos through laptop speakers?

My MacBook Pro has pretty great speakers (for built-in laptop speakers). I’m sitting here listening to Talking Heads’ Fear of Music, and I could tell immediately that there was some kind of surround effect going on. It was very disorienting — it created a physical sensation in my ears and almost started to give me a headache. Then I realized I could turn it off and instantly everything went back to normal.

I’m not entirely sure what kind of dark magic Dolby is employing with this (I’m sure it has something to do with reversing the polarity of the stereo channels or something nerdy like that), but I don’t understand why it’s being foisted upon us. It reminds me of the trend about a decade ago of every movie being made in 3-D, and even 3-D TVs that no one wanted. Eventually they caught on to the “no one wanted” part and now it’s not much of a thing. I hope Dolby Atmos on streaming services follows in short order!

…And another update on Northern Daydream 3: Future Proof Past

My plans for this album project have ping-ponged around wildly in the 2 years since I first started planning Volume 3 of my Northern Daydream series.

Finally midway through 2022 things started to come into focus, with an emphasis on two vitally important but radically different jazz pianists who both hit their creative stride in the late 1960s and early 1970s: Herbie Hancock and Keith Jarrett.

But even as I began to see that this album needed to have a “Side H” and a “Side K,” I waffled on exactly which songs I wanted to cover, and how I wanted to approach them.

Finally, with yesterday’s accomplishment of “KJ3M” — a 10-minute suite featuring three distinct Keith Jarrett compositions, stitched together with three brief keyboard improvisations, inspired by Jarrett’s own concert style, the project has reached its conclusion.

I had not planned to record any of these three songs when I laid out the project. I hadn’t even heard any of them at that point, honestly. But once I did hear them, I knew I needed to make them the focal point of the conclusion of the project.

“Mortgage On My Soul” and “Common Mama” are an interesting pair. Both are built over a similar bass ostinato — in the same key, no less — and could actually be ripe for a mashup. But I decided that was not the right treatment. I wanted to show the ways the two are different, not the ways they are alike. (Whereas you might see the result of this project overall as showing the ways Jarrett and Hancock are similar even though on a surface level their styles are very different.)

“The Magician In You” kind of came out of left field. It immediately follows “Common Mama” on Jarrett’s 1972 album Expectations, and I really like the pairing. After spending several minutes in a harmonically static, groove-based mode, it’s very satisfying to bask in the rich harmonic textures of this rock/gospel ballad.

I played up the harmonic structure here in ways I kind of wish the original had done, although I know Keith Jarrett’s style, especially at that time, was to leave listeners with only the slightest hints of the true structure underneath, allowing improvisatory group interplay to constantly pull at the loose threads of more predictable musical forms. I don’t slight him for it at all, and yet the composition is just so good that I want to get absorbed in it and let it carry me away.

And this is part of why I’ve decided to wrap up this project here. I’m ready to take on new challenges, including attempting to create a big band arrangement of “The Magician In You” that builds on the elements I put into this version. So, this probably means I will step away from spending 18+ hours on a Saturday, twice a month, on an epic recording/video production session. For a while, anyway.

Here’s “KJ3M”:

And you can listen to — and watch — the entire album here.

Once I’m satisfied that the mixes for the album are final, I’ll post another update with download links. Stay tuned!

WordPress Dev Tip: The Events Calendar 4.6.4 breaks Advanced Custom Fields Select2 fields… here’s a fix

Suddenly, Advanced Custom Fields that use Select2 (any custom select dropdown, such as on Post Object fields) were broken. Testing plugins one-by-one narrowed it down to The Events Calendar. Apparently version 4.6.4 is loading Select2 and overriding ACF's own loading of Select2, breaking custom fields that use it.

I found a simple fix in the WordPress Support Forums. Then I encapsulated that fix in a barebones plugin you can download here.