The “house of cards” approach to development is a “fatal error” in itself

This morning my work of putting out a fire for one client was interrupted by the need to put out a blazing inferno for another client. Specifically, they’re running a big sale on their WooCommerce store, and the site was returning a fatal error.

Turning on debugging, I saw this message:

PHP Fatal error: Declaration of Dhii\\Container\\ProxyContainer::has($key) must be compatible with Psr\\Container\\ContainerInterface::has(string $id): bool

Ugh.

There is so much about this that I hate. Mainly, what is any of it for? I have to question whether any of the developers of PayPal Zettle POS for WooCommerce, the affected plugin, really know either. This plugin suffers from what I call the “house of cards” approach to development. Why write your own code if you can just slap together dozens of packages that already do the things you want? On the surface, that’s great. But the problem is, then you don’t really know what your own software does.

I recognize that this is a necessity in many cases. It’s just not practical to reinvent every wheel. But when your application is structured like this, you may have 6 different kinds of wheels, or wheels made out of other wheels, or wheels that also contain a kitchen sink. As usual, xkcd nails it:


Fortunately, WP_DEBUG let me see exactly where the errors were occurring, and although my 20 years of idiosyncratic PHP development experience didn’t help me to understand what the error meant, this StackExchange post did. I just had to change this:

public function has($key)

…to this:

public function has($key): bool

And then I had to do that about a dozen more times in various other files deeply nested in the plugin’s vendor folder, until the PHP fatal errors stopped appearing.

In the WordPress support forums, I discovered near the top of the list a post from someone else experiencing this same error, and the devs suggested it was probably a plugin conflict. They didn’t seem interested in pursuing the possibility that their own code was broken.

But, then again, it really isn’t their code. And that’s the problem.

I’m not above reproach here. I’m a WordPress developer. I use other people’s code all the time! I even sell a product that is substantially constructed out of other people’s code. But I am very judicious about what does or does not get placed in my vendor folder. And I realize that if something goes wrong with it, it’s up to me to fix it, even if it’s not my code.

Speaking of which… I have some updates to make. Gotta go!

WordPress development in the Gutenberg era: Threading the needle of Block Theme development

As described in several of my recent posts here, I have been working for the past month or so on building my first “all-in” Block Theme for WordPress.

After nearly 4 years of adamantly resisting “Gutenberg” and the new Block Editor revolution — not because I disliked the block concept, but because I disagreed philosophically with the core team’s approach (to what constitutes a block, which types of blocks are important, and which technologies are used to manage the UI of the editing screen) — I am finally accepting that if I am to continue making a living primarily as a WordPress developer, I need to give up on my Classic Editor, Advanced Custom Fields “Flexible Content” approach, and embrace that the Block Editor is now The Way.

One of numerous challenges I’ve faced in this process (on top of the learning curve of a completely unfamiliar method of constructing themes, the dearth of adequate and up-to-date documentation, and the core team’s willingness to allow very unfinished versions of functionality to roll out in public WordPress releases) is figuring out the best way to approach some of the more complex design structures I am used to dealing with via ACF’s Flexible Content fields.

My biggest hurdle is recognizing that what I think of as a “block” is not what the WordPress core team thinks of as a “block”

Here I will admit this is a shortcoming of my own approach. I have been “opinionated” in my development approach (well, about everything, really), and created large-scale and complex “blocks” that, in Gutenberg/Block Editor terms, would really be “groups” or “block patterns,” not blocks. Gutenberg blocks are more granular.

Gutenberg blocks are also static, in that they generally do not interact with database content, or if they do, it is in very limited “bloggy” ways that don’t align with my use of WordPress as a general-purpose CMS.

So I’ve found myself falling back on ACF. I like its server-side approach. I’m more accustomed to dealing with PHP and MySQL. I use JavaScript (mainly jQuery) a fair bit for front-end interactive elements, but I don’t build complex functionality in JavaScript and I avoid AJAX if I can help it.

You can see I’m destined for a strained relationship with the Block Editor.

A concrete example: “Tiles”

One of the most idiosyncratic elements of my old ACF approach is the block I call “Tiles.” It’s a way of creating a set of small blurbs to link to other pages/posts. There are numerous options for appearance: number of tiles per row, relationship between the image and text in a tile, etc. And there are also numerous options for the content source: a specific page or post (with the title, featured image and excerpt automatically pulled in), a dynamic feed from the blog or a specific category (likewise with the info pulled in automatically, except this one auto-updates when there’s a new post), or a completely custom-built tile, where you manually select the image and enter the text and link.

Here are screenshots of the ACF-based editing tools for my Tiles block.

I tried recreating this entire setup as a new ACF-based Block field group. It worked, to be sure, but the complex ACF editing layout really did not feel right in the new Block Editor interface, either in the sidebar (eek) or in the main content area. It felt like a cop-out.

Then I considered creating a block pattern. I knew this would lack some of the benefits of my ACF-based Tiles block, but one in particular: the option to dynamically pull in the details of another page/post, rather than manually entering the text. But as a starting point, I decided to recreate the “custom” tile type.

That, also, worked. But it was finicky and didn’t apply well in a lot of different places. So I realized that instead of creating a Tiles block pattern, I needed to create a Tile block pattern. Just one tile. Instead of a monolithic block that was really a group, users would insert each individual tile into whatever larger structure they want (e.g. columns).

The end result was a block pattern that looked like this (screenshot instead of live code because, well, you really don’t want to use this):

I was really proud of myself for using the new “lock” feature to force the elements to stay in a particular order, but to allow the user to remove elements they don’t need, such as the image, lead-in text, or CTA button.

Still… I didn’t like it. And it didn’t allow for dynamic sources.

Along the way I also finally came to grasp another fundamental limitation of the Block Editor and Block Patterns. Since all of the parameters of the blocks are stored as HTML comments right in the post content, you (the theme developer) can’t update the design of a block pattern once it’s inserted into a page/post. The Block Editor isn’t dynamically inserting content into a template when the page is rendered. It’s making a one-off copy of the template and storing it right along with the content at the point when the content is inserted into the page/post.

This seems, to me, to be a fundamental flaw in the entire Gutenberg/Block Editor approach. It’s bad enough that if I were building it myself, I’d have stopped right there and taken a completely different direction. Maybe there’s a long-term plan to address this limitation, but for now it appears to be here to stay. Which led me back to ACF.

Threading the needle

And that was when I had my insight into the true nature of the problem. It was the fact that what I think of as a “block” is larger-scale than what the Block Editor treats as a block.

So I went back to my Tiles ACF field group, stripped out the repeater functionality and created a Tile ACF field group. Now you’re building one tile at a time, it has all of the previous benefits of ACF’s dynamic integration of content with template functionality, it seems to correctly fit the definition of a “block” in the WordPress sense, and you can still have a flexible presentation of multiple tiles in a group… just using Block Editor “groups” to achieve that.

I still have more to learn and questions to answer (followed by more questions to ask and then answer), but I feel like this was a major step forward in finding a way to merge the benefits of ACF with the… inevitability, I guess, of the Block Editor.

Dollar ReDe$ign Project

Sure, it’s true that I’m often perhaps too willing to disregard tradition and take things in a brand new direction without adequate regard for the past, but I for one am ready for a radical redesign of American currency.

I’m not extremely well-traveled, but I have been to Canada, Australia, and several countries in Europe — pre-Euro. So I’ve seen a reasonable assortment of international currency and ours is by far the stodgiest, most old-fashioned, and frankly, boring-as-hell. So much more could be done with our currency, in terms not only of creativity but of incorporating new high-tech means (or some not-so-new, since Australia’s been integrating clear plastic in its currency since at least when I visited there in 1995) of confounding counterfeiters.

Alas, the redesigns we’ve seen in the past 15 years or so have been conservative, timid, and way too reluctant to break with the past. But Richard Smith’s Dollar ReDe$ign Project hopes to change that… or at least to allow us to fantasize about a world where American currency is cool-looking.

I agree with Ministry of Type that the following designs, by Michael Tyznik, are among the best, and they’re something that I could actually see some country using on its currency. Too bad it probably won’t be ours. (Not that American presidents and landmarks would make sense on another country’s bills, but you get my point.)

us-note-design-ideas-1

Upon closer examination, I also like how the designer has eliminated the $1 bill, replaced it with a $200 denomination, and bumped each president (or statesman) up a notch (Washington on the $5, Lincoln on the $10, etc.)… with the exception of Benjamin Franklin, who, in deference to P. Diddy, must remain associated with the $100 bill.

Grant leapfrogs from the $50 to the $200. Wait… he’s on the $50 now, right? I don’t see a lot of currency these days, and rarely anything larger than what’s dispensed by an ATM. Oh, and I see Hamilton has been replaced by Jefferson for the new $20. A debatable decision, but at least it’s not Aaron Burr.

There’s also a nice civics lesson, in the form of the Bill of Rights, written on the backs of the notes.