Why I’ve (mostly) stopped using Facebook

I’ve never been one for New Year’s resolutions, but I made a pair of them this year. And now that we’re almost two weeks into the new year, it seems like a good time to investigate whether I’ve been able to keep up with them.

My first resolution was a healthier lifestyle. Nothing drastic, and nothing too rigid. It’s a few simple rules:

1. No alcohol more than once a week. That glass of beer or wine… or two… at dinner adds a lot of calories.

2. No second helpings. It doesn’t take long for your appetite to adjust to match the amount of food you’re shoving down your gullet. Eat less, consistently, and pretty soon you’ll want less.

3. Eat more fresh fruit and vegetables. I’ve typically done OK with vegetables, but rarely touched fruit. Clementines are my new best friend.

4. Get at least some exercise. Who needs workout equipment when you’ve got a flight of stairs in your house?

And most importantly:

5. Don’t stress it too much. One day of breaking the rules doesn’t mean you’re off the diet.

So far, the first resolution is going along… pretty well. Mainly because of #5.

As for the second resolution… it was “No more Facebook.”

A few years ago, the need for such a resolution would have seemed absurd to me: I was incredibly disdainful of Facebook (and social networking in general) for ages. It wasn’t until I sort of (yeah, sort of) needed a Facebook account, for work-related research purposes in early 2008, that I got into it, and I was quickly hooked. Checking Facebook on my iPhone in every spare moment. Carrying on a third-person monologue in my head as I constantly anticipated my next Facebook post. It was kind of ridiculous. (Yeah, kind of.)

But this was another fairly easy resolution for me, and not just because of #5 (although it’s there). I had already begun to sour on Facebook in the final months of 2009, getting to the point where most of my posts on Facebook were only arriving there second-hand, via automatic cross-posting from Twitter (my new, slightly healthier, if only because it has less empty calories, social networking metaphorical junk food of choice) or from my blogs (via NetworkedBlogs).

So what was it that soured me on Facebook, that once indispensable hub of my ersatz social life? It was a variety of factors; factors which I have in my head named in honor of the Facebook friends in whom they’ve most strongly manifested for me (though whose names I will conceal here, since NetworkedBlogs is going to post a link to this blog entry on Facebook on my behalf). It was also the growing privacy and security concerns surrounding the fact that though many Americans fear the specter of an implausible — nay, impossible, owing to a lack of both funding and competence — Big Brother in our government, we’re only too willing to share every minute detail of our personal lives with the very real and technologically marvelous Big Brother of private enterprise.

This interview may be fake (and, then again, maybe not), but the programmatic surveillance it describes is real. I know, because in my line of work, I not only pay attention to the man behind the curtain, I am him. And unlike the Wizard of Oz, who’s all smoke and mirrors, these web applications really do work. The databases really are there. And the engineers really can peek inside them. (Even if they can’t actually read your one-way encrypted password, they don’t really need to. They can see the Matrix. And now I’m taking the movie metaphors a bridge too far. See?)

So then, we’re back to the real reason I decided to (mostly) stop using Facebook. Those friends, and the ways that my online interactions with them soured my experience of Facebook and, in a way, my life.

Cognitive dissonance

We all have our political views. Some of us hold to them more dearly than others. Some of us make our lives about our politics more than others. But in general, when we deal with each other face-to-face, we smooth over them. We focus on the things we have in common, the things that bring us together. If those things do not include our politics (and, in meatspace, they most often do not), then we check them at the door. But by the time Facebook came along, many of us were already used to a new social world online: a distilled, supersaturated, echo chamber of a world, where we only expose ourselves to the things we are most interested in, only interact with those who share our interests, and do it all under a cloak of anonymity that allows us to brazenly parade the crackpot ideas we wisely keep to ourselves in our “real-life” interactions. So what happens when we bring our “offline” friends into this online realm? It’s not pretty.

I found myself engaging in frustrating arguments over all manner of political, economic and philosophical topics with people I had never (or rarely) had cause to discuss them with before. And I realized why. It’s easy for someone to counter my revulsion over this experience with claims that I need to be open to differing opinions and all of that. Sure. I recognize that not everyone agrees with me. I know those opinions exist. But I don’t enjoy debating all of them ad nauseum like I’m in a freshman seminar course. And I don’t need to start thinking as negatively of my friends as I do of Glenn Beck. But since I still can’t let this kind of thing go without trying to get in the last word, I just want to leave this topic with a great (if not so inclusively worded) quote from the late Senator Daniel Patrick Moynihan: “Everyone is entitled to his own opinion, but not to his own fact.”

Three’s Company

I watched a lot of Three’s Company as a kid. Given the level of sexual innuendo in the show, perhaps a lot more than I should have been allowed to. But I turned out relatively OK. More than the lewd themes, however, the one thing that has stuck with me most about that show is how just about everything that goes wrong in life can be attributed to a lack of communication. Facebook is all about communication. And yet, there are so many ways in which it can fail us. Put aside any legitimate technical glitches like server outages. Facebook is programmed to filter out certain communications. There’s just so much information (if it can honestly be called that) people are dumping into Facebook’s databases every second of the day, and that could be shown on so many other people’s news feeds, that the site has to have a threshold for messages to hide, whether we as the users set it or the site’s programmers impose it arbitrarily. Bottom line: just because it’s there doesn’t mean you’re going to see it.

Plus, even though Facebook does show you when your friends are online at the same time as you are, it doesn’t tell you anything else about their viewing history on the site. To do so would be an unforgivable breach of the illusion of privacy all of Facebook’s users operate under. But the downside is that if you sent a friend a message and they never responded, you have no way of knowing if they read the message or not, or if they’ve even logged into Facebook since you sent it. And, depending on the situation and the nature of your message, this can lead to misunderstandings and hurt feelings. Listen, Larry. Just because you see Jack out on a date with a pair of twins by himself, doesn’t mean he didn’t stop by the Regal Beagle looking for you to join in on the fun. You just happened to be helping Mr. Roper fix the leaky faucet in Janet and Chrissy’s bathroom in a way that sounded like something completely different to Mrs. Roper when she came upstairs unexpectedly and heard the two of you behind that closed door.*

Where was I going with this?

Ceci n’est pas un ami

What is a friend? Everyone in our social networks on Facebook is a “friend,” but that’s an empty term. I have 137 “friends” in my Facebook network, which is apparently just below the median of approximately 150 that was much discussed in the blogoverse over the summer. It still sounds like a hell of a lot of friends to me! I never knew I was such a social butterfly.

As I suspect is the case with most average Facebook users (let’s exclude Roger Federer for the moment), they’re a mix of old friends from high school and college; former coworkers from the various jobs I’ve had since then; and current “offline” friends, neighbors and relatives — this last group being the only ones I really still interact with in my real life.

It’s been great catching up with old high school friends via Facebook. I suspect that Facebook has singlehandedly redefined the purpose of (or perhaps obviated entirely) that venerable institution: the class reunion. We’ll see when I have my 20th in a couple years. It’s clear though that right now I have ready access to the minutiae of the daily lives of lots of people I haven’t seen regularly since the era when Milli Vanilli was still considered a legitimate musical act. They’re people with whom, when we first reunited at the beginning of this decade after ten years apart, I had already completely lost touch. But now, thanks to Facebook, I feel like I have the keys to all of their diaries in my desk drawer.

Most of them are people I still like well enough, and of whom I have fond (if faded) memories from the “glory days” (not that they ever really were). But if I’m honest about it, I really don’t have much in common with any of them anymore (not that I ever really did), and there’s pretty much no way we’d even know each other today, much less be friends, if we didn’t share the common bond of having grown up in the ’80s in a small town on a dirty river that smelled like pork byproducts.

And yet, there are some among them with whom I do share a lot of common interests, and with whom I still could be good friends today. We even live in the same city. Come to think of it, we’ve even run into each other on the street in recent years, and have talked about “getting together sometime soon.” We have ready access to each other on a daily basis via Facebook, and yet, “sometime soon” never arrives.

There’s a saying (at least I think it’s a saying, which is to say I recently heard someone say it) that you never really explore your own city until you have out-of-town visitors. And I’m not entirely sure how that relates to the question of why I don’t get together with my former (and potentially future) very good friends with whom I share common interests, and who happen to live in the same city as I do, and with whom I can easily communicate on a daily basis via Facebook. But I think it’s probably a lot like that saying about getting to know your city. When something is always there, you don’t bother to take advantage of it because, well, it’s always there. Facebook makes it too easy to reconnect with old friends, at least in a superficial way. And that superficial way is almost more harmful than having no contact, because it makes it way too easy to settle for what it is, instead of investing the small amount of additional effort required to make a deeper connection.

So, after all of that, am I really off Facebook?

I’ve given plenty of good (if “good” is measured by verbosity) reasons why I’ve intended to quit Facebook as one of this year’s resolutions, but have I lived up to it?

The short answer, coming from someone not known for short answers (hence this long build-up): sort of. I have taken several concrete steps to significantly reduce my involvement with Facebook. I changed my notification preferences — I had previously set Facebook to never notify me by email about anything, since I was always checking the site anyway — so that if something really important does come my way, I can find out about it without constantly wading through Farmville updates** and alerts about which of my friends are now friends with other people I will never know. I never post status updates directly to Facebook, leaving it to Twitter (with which I also have an ambivalent relationship) and NetworkedBlogs to do my dirty work, although I do occasionally follow up on comments on my posts. Once every couple of days I’ll quickly scan the live feed to see if anyone’s saying or doing anything I’m genuinely interested in, but I limit it to a minute or two. And on special occasions (like when I took my dad to our first ever Vikings game on January 3), I’ll post photos to my profile. But that’s it, and it’s more than enough.

Is my life better with less Facebook in it? Unequivocally, yes. I do feel slightly less connected with my widely dispersed “network” of social acquaintances, but I also have a much more realistic view of how disconnected we really were anyway, despite the fact that I knew what they were eating for lunch.

Final thought

Knowing that this blog entry is going to appear in my Facebook feed, I feel the situation can best be described in the words of Sideshow Bob: “By the way, I am aware of the irony of appearing on television in order to decry it. So don’t bother pointing that out.”

* OK, I don’t think this scenario ever actually happened on Three’s Company. And yet, in a way, didn’t it happen on every single episode?

** Yes, I know you can hide that crap, and I always do with such a vengeance that at one point I almost considered unhiding all of them just so I could have the pleasure of hiding them all again.

Top 50 albums of the decade

It seems that everyone has been compiling not just year-in-review but decade-in-review lists lately, and I’ve never seen a bandwagon I didn’t eagerly jump on. So, without further ado (after all, why spend any time in careful reflection upon a full ten years of life?), here we go.

The challenge: sum up, in my opinion, the past decade in (semi-)popular music, in 50 albums, 5 per year. The result: the following list, presented in alphabetical order (since ranking them seemed even more arbitrary and superfluous than listing them in the first place). Enjoy.

Beck: Sea Change (2002)
One-sentence review: Beck gets serious.
Beck: Guero (2005)
One-sentence review: Beck proves he’s still Beck.
Benoît Charest: The Triplets of Belleville (2004)
One-sentence review: It’s as charming, brilliant and unexpected as the film it accompanies.
The Bird and the Bee: The Bird and the Bee (2007)
One-sentence review: The ’60s meet the ’00s at a lounge in the ’70s.
The Bird and the Bee: Ray Guns Are Not Just the Future (2009)
One-sentence review: It offers more sweet lounge-electronica delights, this time with more David Lee Roth references.
Coldplay: X&Y (2005)
One-sentence review: The Coldplay album that takes the longest to grow on you also leaves the most lasting impression.
Death Cab for Cutie: Narrow Stairs (2008)
One-sentence review: I finally realized I should have been listening to that band with the stupid name for the entire past decade.
The Decemberists: Castaways and Cutouts (2003)
One-sentence review: I dreamt I was an architect.
The Decemberists: The Crane Wife (2006)
One-sentence review: Victorian prog meets indie rock.
The Decemberists: The Hazards of Love (2009)
One-sentence review: Victorian prog consumes indie rock.
Field Music: Field Music (2006)
One-sentence review: Here’s what Gentle Giant would sound like in the indie rock era.
The Flaming Lips: Yoshimi Battles the Pink Robots (2002)
One-sentence review: Perhaps it’s the album of the decade; definitely the era’s answer to both Pet Sounds and Dark Side of the Moon.
Flight of the Conchords: I Told You I Was Freaky (2009)
One-sentence review: I got hurt feelings.
Fujiya & Miyagi: Lightbulbs (2008)
One-sentence review: Knickerbocker glory is an ice cream sundae.
Peter Gabriel: Up (2002)
One-sentence review: If this proves to be his last album, it’s a brilliant farewell.
Green Day: American Idiot (2004)
One-sentence review: I never knew they had it in ’em, but I’m glad they did.
Grizzly Bear: Veckatimest (2009)
One-sentence review: As inscrutible as its title, it’s worth trying to figure out.
Keane: Under the Iron Sea (2006)
One-sentence review: Who knew another band would write a song called “Crystal Ball” that I would inexplicably love?
King Crimson: The ConstruKction of Light (2000)
One-sentence review: It’s the album that should have been a brilliant farewell.
Kraftwerk: Tour de France Soundtracks (2003)
One-sentence review: It’s like Electric Cafe and The Mix never happened.
M83: Saturdays = Youth (2008)
One-sentence review: M83 = brilliant.
The Mars Volta: Frances the Mute (2005)
One-sentence review: Excessive noodling is offset by brilliant prog riffing.
John Mayer: Heavier Things (2003)
One-sentence review: It’s probably all you need to hear from John Mayer, except…
John Mayer Trio: Try! (2005)
One-sentence review: This.
Minus the Bear: Planet of Ice (2007)
One-sentence review: I’d like this band more if it weren’t for the stalled adolescence of some of their lyrics (and their name).
The Most Serene Republic: Population (2007)
One-sentence review: There’s nothing serene about this republic. (And that’s how you write a one-line review. Rolling Stone, I await your job offer.)
My Morning Jacket: Z (2005)
One-sentence review: You won’t be catching any Z’s with this one. (Attn. Rolling Stone: Still waiting.)
My Morning Jacket: Evil Urges (2008)
One-sentence review: Though many site Z as the band’s masterpiece, this is the one that speaks to me most.
Phoenix: United (2003)
One-sentence review: Any band that can release a nearly 10-minute track called “Funky Squaredance,” and it’s good… is worth your attention.
Phoenix: Wolfgang Amadeus Phoenix (2009)
One-sentence review: Bigger than Mozart.
Porcupine Tree: In Absentia (2002)
One-sentence review: The venerable prog band’s almost-breakthrough.
Radiohead: Kid A (2000)
One-sentence review: Radiohead managed, in a single album, to encapsulate the entire decade… before it happened.
Radiohead: Amnesiac (2001)
One-sentence review: In case you forgot, Radiohead defined the music of the decade. (Come on, RS.)
Radiohead: Hail to the Thief (2003)
One-sentence review: A minor success in Radiohead’s catalog is a crowning achievement for almost any other band.
Radiohead: In Rainbows (2007)
One-sentence review: The band of the decade delivers its best work yet.
Red Hot Chili Peppers: Stadium Arcadium (2006)
One-sentence review: Not only do RHCP have some life left in them, they still might have their best left in them.
Steely Dan: Two Against Nature (2000)
One-sentence review: The Grammy was an apology, but it’s still a pretty damn good album.
Tenacious D: Tenacious D (2001)
One-sentence review: Though this album shouldn’t be tenacious, plenty of its lyrics have become household staples around here.
Tool: Lateralus (2001)
One-sentence review: It’s the masterpiece of latter-day metal.
Tortoise: Standards (2001)
One-sentence review: If you only buy (or hear) one post-rock album, this is it.
TV on the Radio: Dear Science (2008)
One-sentence review: Consider this the “most slighted album” in my previous years’ top 5 lists.
U2: All That You Can’t Leave Behind (2000)
One-sentence review: One of the all-time greats by one of the all-time greats.
Wilco: Yankee Hotel Foxtrot (2002)
One-sentence review: A strange introduction (for me) to this band, it’s still one of their best.
Wilco: A Ghost Is Born (2004)
One-sentence review: Though more straightforward than its predecessor, it’s a mellow masterpiece.
Wilco: Sky Blue Sky (2007)
One-sentence review: Even more back to basics, it’s their best yet, and near the top of my list for the decade.
Brian Wilson: SMiLe (2004)
One-sentence review: Better 33 years late than never.
Wolfmother: Wolfmother (2006)
One-sentence review: A brilliant, visceral throwback to classic hard rock.
XTC: Wasp Star (Apple Venus Volume 2) (2000)
One-sentence review: If Skylarking is XTC’s Aja, this is their Two Against Nature, though comparing XTC and Steely Dan may be somewhat oblique.
Zero 7: Simple Things (2001)
One-sentence review: Simply brilliant.
Zero 7: When It Falls (2004)
One-sentence review: If I could produce an album like this, I would happily retire from music therafter.

And, since it just seems necessary, here are my top 5 albums of the decade, hastily and subjectively compiled, and subject to rapid and frequent change:

5. Tortoise: Standards
4. Tool: Lateralus
3. Radiohead: Kid A
2. The Decemberists: The Crane Wife
1. The Flaming Lips: Yoshimi Battles the Pink Robots

Happy New Year from room34.com (and U2)

It’s pretty obvious, of course, but every New Year’s Day I think of the classic U2 song “New Year’s Day,” from their seminal 1983 album War. Or, more specifically, I think of the music video. It’s a great video for a great song by a great band. And it’s worth remembering every year on New Year’s Day. So, here you go: