OK, follow my train of thought here…

The other day, for reasons I’d best not get into, I was listening to the Steven Wright tracks from the Reservoir Dogs soundtrack. If you’ve seen the movie, you know that the soundtrack is interspersed with segments of deadpan comic Steven Wright‘s voice as a DJ on “KBILLY’s Super Sounds of the ’70s Weekend.” Listening to those tracks in sequence with absolutely no music in between them is a surreal experience.

In addition to the long-buried ’70s gems that made it onto the soundtrack, a slew of other songs did not appear, but did however get a mention from Steven Wright, tantalizingly conjuring a world beyond the details of the film, where a radio station that actually plays all of this crazy stuff exists! (Granted, this film predates the Jack FM phenomenon by a solid decade, but Jack rarely plays stuff this obscure.)

One of the titles Steven Wright mentions caught my attention: “Love Grows (Where My Rosemary Goes)” by Edison Lighthouse. (Anyone who knows me personally will know why that got my attention.) So I listened to a bit of it on iTunes, and it jogged a vague memory of this one-hit wonder from 1970. Then I headed over to YouTube, where I was delighted to find the music video:

Now many people of my generation or younger — or older for that matter — may not realize that they made music videos back in 1970 (and even earlier). I still have no idea where these things actually got played in a pre-MTV world. Of course, I don’t know where today’s music videos get played either, given that they sure as hell aren’t on MTV anymore.

Groovy.

Progress…

I realized what a daunting task it was going to be to use the built-in WordPress functionality to manually copy over all of the articles from my old site database, so I dug under the hood and used the power of SQL to just more-or-less dump everything from one database into the other. So now all (well, most) of the stuff is moved over, and I can begin to disassemble the old site (currently lingering in the link set as “Room 34 Cold Storage”).

If you care to look back at the old stuff (and why wouldn’t you?), you may notice some oddities… that’s mainly due to inconsistencies between my idiosyncratic HTML and the fancy formatting/clean-up WordPress does. I’ll gradually fix that stuff… maybe. (Right after I get around to organizing the basement.)

I’m also tinkering more with the themes. I’ve downloaded several interesting themes that I plan to try out for a while, to get a feel for both their visual appeal as well as the ways they handle certain technical features of WordPress. Once I find one I like, I’ll use it as a basis to build my own, one that incorporates my photography as well. (Will the excitement never end?!)

Oh, I almost forgot to mention… some of the old stuff didn’t have dates, so I hastily and more-than-somewhat arbitrarily assigned them all to January 1, 2004.

All the World’s a Stage… and We Are Merely an Audience That Will Sit Through Just About Anything

Network television has been struggling lately to hold onto viewers. It’s no wonder why. In my early childhood years (the ones I can remember), say, 1977-1982, we got 4 TV channels… 5 if the wind was blowing in the right direction, the planets were properly aligned, and God was in a good mood. And 2 of those 5 were PBS.

Now I have a DirecTV satellite system that offers me over 130 channel options. Of course, about 127 of those channels are utter crap, but at least I get VH1 Classic and Boomerang, so when all else fails, I can always fall back on a cheesy Ratt video or an episode of Wheelie and the Chopper Bunch. All of the old stuff from the broadcast networks that was actually worth watching is now on TV Land or Nick at Nite, and the more recent stuff is on TNT, or as I like to call it, the Law and Order Network.

You might think that with all of the competition from cable networks, broadcast TV would’ve withered away. But much to the contrary, the number of broadcast networks has doubled since my youth. So now instead of 3 networks competing for 95% of all viewers (perhaps I am being generous to PBS), we have 6 networks competing for about 10-15% of the total audience. (I think PBS has managed to retain about 3 or 4 viewers nationwide, for the shows that haven’t been stolen by the army of Discovery networks. So someone actually does watch Masterpiece Theater!)

Oh yeah… I had a point to all of this. Faced with dwindling audiences, atrophy of advertising revenues, and a chronic inability to get the public’s attention, the networks have resorted to… reality TV.

I remember naively thinking, around the third series of Survivor (which is now, incredibly, casting for its seventh series), that the public’s fascination with “ordinary” people making asses of themselves had run its course. Oh, how wrong I was.

I admit, occasionally I get sucked into this stuff. I spent 3 hours in front of the TV last night, flipping between the finale of Joe Millionaire on Fox (which I, honestly, had never watched before) and ABC‘s encore presentation of the freakshow that is Living with Michael Jackson.

A variety of thoughts went through my head during the course of the evening:

Am I witnessing the fall of Rome?

I can’t believe I’m buying into the hype and watching this crap.

God, that Sarah‘s a bitch!

Yes, it’s true. As high-and-mighty as I like to be, as much as I deride this tripe and the people who watch it, I get drawn into it too.

But what really disturbed me were the promo spots for other shows that the networks were airing. Just about every new show they were promoting was another reality show. And now we’ve gotten into the scariest territory of all: reality shows about fallen celebrities (or perpetual wannabe celebrities) who are desperately trying to revive their faltering careers. Granted, even then, I must admit I find it somewhat amusing to see what happens when the likes of Vince Neil, MC Hammer, Emmanuel “Webster” Lewis, Gabrielle Carteris from Beverly Hills 90210, Corey Feldman, and the rest (as they used to say in the first-season theme music to Gilligan’s Island) are thrown together, as with the WB‘s The Surreal Life. Of course, I got as much amusement from watching the closing credits of a recent rerun of SNL on Comedy Central, wherein Rob Lowe, Eminem, and Ralph Nader were standing in a row at the front of the stage. Any truly odd assortment of famous people is bound to be mildly entertaining, even if they’re just waving at TV cameras.

At this point, I can only wonder, what’s next? And how can I avoid watching it?