Movie review: Star Trek

To say that I was excited to see the new Star Trek movie is an understatement. I first mentioned it here back in November.

So it should be no surprise that I went to see it on opening night, and I was not disappointed. The reviews are consistently superlative, and I agree. As someone who’s been a lifelong fan, albeit a somewhat tepid one, one who has approached the films in the series (my God, is this really the eleventh one?) with a degree of caution and/or passive disinterest (I’m not even sure I’ve seen all of the later ones), I know the characters well. I know the clichés and conventions (though I’ve never been to a convention — that’s not what I’m talking about). I know the difference between “Trekkie” and “Trekker” though I would not describe myself as either.

And then there’s the director, J.J. Abrams. I’ve heard good things about him, but believe it or not I’ve never watched a single episode of one of his TV shows, nor have I seen any of his movies. I’m not even sure what movies he’s done. Cloverfield, right? Anything else? (Yes, I know I could just check IMDb, but I’m trying to make a point.)

In short, while by all outward appearances I should be a hardcore fanboy for this, I’m not so much, really. And with that said, I can tell you I thoroughly enjoyed this movie (well, except maybe for the last few minutes), and that I think it will be equally appealing to both the serious Star Trek fan (Trekker, if you please) and to the summer blockbuster action-adventure watcher looking for a little over two hours of genuine quality entertainment. Perhaps the only people this movie will not appeal to are hardcore sci-fi aficionados who do not already like Star Trek. Though set in the future, and drenched in stunning futuristic visual effects, the movie is fairly light on the “sci.”

What it’s not light on, though, is intense action, an engaging story, great acting, and a near-perfect balance of plot, adventure and humor. It manages to be simultaneously reverent and irreverent towards the original series, in a way that reminds us that Gene Roddenberry’s ’60s version was both smart and silly, clever and clichéd, boldly original and drinking-game-worthy predictable.

Minor spoiler alert: if you want to be totally surprised when you see it, stop reading here.

The casting is first-rate. The actors have managed to evoke their original counterparts while simultaneously fully inhabiting the characters and making them their own. Chris Pine, in particular, is excellent as James T. Kirk. He’s probably doomed never to be as memorable or iconic as William Shatner, but he’s a lot more believable as the brash, reckless, brilliant, defiant soon-to-be captain of the USS Enterprise. I was less impressed with Zachary Quinto’s take on Spock, but that’s perhaps a bit unfair: in the context of this story, Spock is supposed to be somewhat abrasive and unlikable. The scene stealers, though, are definitely Karl Urban as McCoy and Simon Pegg as Scotty. I am hoping for some sequels if for no other reason than to see more of these two.

I could go on for pages about the details of the story, but I’ll let you see it for yourself. Suffice to say, time travel and alternate realities are involved, and I think that particular plot device was handled in a completely novel way. All of the requisite Star Trek tropes are here: Bones saying “Dammit, I’m a doctor not a…”; Scotty saying “I’m givin’ ‘er all she can take!”; Chekov’s ridiculously over-the-top accent; and of course, the two most essential elements of Star Trek: Kirk making out with a green-skinned woman, and an anonymous “red shirt” dying on an away mission.

A true Trekker wouldn’t have it any other way.

Forget red state/blue state: it’s really red browser/blue browser

Sean Tevis browser statsAnyone who’s read this blog for any period of time knows my political leanings pretty well. I’m about as liberal as they come in this country (which means I’m probably middle-of-the-road anywhere else). And the same reader(s) probably also know(s) how I feel about Internet Explorer 6.

Well it’s interesting to see that there seems to be a correlation between political viewpoint and web browser usage. As (almost) always, this comes from Daring Fireball. We’re looking at the decidedly non-traditional campaign blog of Kansas Democrat Sean Tevis. His campaign did a survey that, among other things, discovered that users of outdated browsers like Internet Explorer 6, AOL, “Don’t Know” and “No Internet” preferred, strongly, his Republican opponent, while users of Firefox, Chrome, Opera and Safari preferred Tevis. Interestingly, IE 7/8 users slightly favored Tevis.

It would be interesting to see the raw numbers, rather than just percent deviation, to get a sense of the relative proportions of the electorate who fell into each category, especially considering that Tevis apparently lost, by a small margin.

It’s also interesting to look at the strength of each group’s leanings. Those who most strongly favored the Republican candidate were the AOL users and non-Internet users, a.k.a. the Luddites. Chrome users (all on Windows) were the strongest Tevis supporters, followed by Safari (presumably all or nearly all Mac) users. Firefox users were slightly weaker supporters of Tevis. This makes sense to me in that I suspect there’s a high correlation between “average” Mac users (who almost all use Safari, just like most “average” Windows users run IE) and Democratic leanings, whereas users of Firefox (and of open source software in general) are as likely (or moreso) to be libertarian as liberal. Opera… well… I don’t know. Contrarians?

That IE 7/8 users slightly favored Tevis is most interesting to me. IE 7/8 represent by far the largest percentage of the Internet-using population. And the country as a whole moved slightly in the Democrats’ direction in the 2008 election. But Kansas is far more conservative than the US populace as a whole; combine that with the “No Internet” crowd, and a small margin of victory in favor of the Republican candidate makes sense.

P.S. Sean Tevis for President 2016.

Drug use at Microsoft HQ

OK, I have no evidence of rampant indulgence in illicit substances in Redmond, but it’s hard to find another explanation for this image being standard-issue wallpaper:

windows-7-wallpaper-20090429

!= has more on the potential symbolism (perhaps subconscious) in this image. And also links to a rather fascinating article about microscopic, holographic photos embedded in the Windows Vista installer disc. While it’s truly an impressive achievement, one wonders whether Microsoft’s R&D priorities are really in the right place with this.

Posted in honor of today’s availability of the Windows 7 Release Candidate as a free download. Yes, I am downloading it now. (I just blew Kosh’s mind.)

Update: Yes, this is trivial. I’m petty. But still, first impressions and all. The first few screens of the installation start-up were a lot more aesthetically pleasing than the white-on-blue terminal screen look of the Windows XP installer.

But I have to wonder about this particular screenshot. Could they really not fit that text on one line?

Windows 7 install screen

Also, this window has a more-or-less Vista-style interface. Before this there was a screen where I had to pick my language preferences, and that window looked like the Windows 2000 interface. Which “classic” Windows interface style will the next screen feature? And was this walk through the museum of Microsoft OS antiquities really intentional?

Oh, and I almost forgot… did they really mean to put the red “close window” X there? It glows when I mouse over it. Must… resist… temptation…. I can only assume clicking it would cancel the installation. But would I get a chance to confirm that rash decision? Wouldn’t a smartly labeled “Cancel installation…” button have made more sense?

Ubuntu hits the big time, for real this time

Ubuntu LinuxI just finished installing Ubuntu Linux 9.04 on my MacBook under Parallels Desktop. In the past, I’ve ventured boldly into the realm of triple-boot configurations to allow my Mac to run Mac OS X, Windows XP and Ubuntu Linux. But that involves modifying firmware and overriding the standard boot process, plus splitting your drive into 3 partitions and reciting dark incantations by the light of the full moon whilst drinking the blood of a calf slain with a silver blade.

Well OK, not that last bit. I’m not sure where that comes from (oh right, that was the part about installing Windows on the Mac). But suffice to say, while it certainly could be done, setting up triple-boot was not for the faint of heart, and once it was working, the question of whether it was all worth it loomed large. And no, I cannot think in non-clichés tonight.

When I got my new MacBook a couple months ago, I decided my days of triple boot were over. I was just going to go by the book (see what I mean?) and use Boot Camp. Well, sort of by the book. Never one to take the easy road, I wasn’t just using Boot Camp, but also running Parallels Desktop. And while you certainly can run a valid Boot Camp installation of Windows XP with an OEM license (the cheapest way to go, courtesy of Newegg.com) both directly via Boot Camp and also with Parallels, Microsoft doesn’t make it easy for you. It involves calling an automated Microsoft support line, and reciting dark incantations by the light of the full moon — I mean reciting a 48-digit number displayed on your screen, answering four simple questions asserting that you have only installed Windows on one computer and you would never, ever, ever, ever lie to Microsoft or Steve Ballmer will bite the head off a live goat and put it in your bed while you sleep, and then typing in a new 48-digit number the automated system recites back to you, while it slays a calf with a silver blade, yadda yadda.

Now where was I?

Oh yeah, Ubuntu. A new version of Ubuntu Linux is released every six months, the latest version, 9.04 (so named for being released in April 2009, get it?), having arrived on the world’s virtual doorstep earlier this week. Ubuntu releases all have clever, alliterative codenames too. This one is Jaunty Jackalope. I’ve been following Ubuntu (via the triple-boot ritual) since Gutsy Gibbon (7.10), through last year’s releases of Hardy Heron (8.04) and Intrepid Ibex (8.10), the latter of which powers this website, thanks to Slicehost.

I’ve been more and more impressed with each release of Ubuntu, as the Ubuntu development team has polished the user experience — especially the once-nightmarish installation process — and as the GNOME team has simultaneously polished the desktop software most Ubuntu users live in day-to-day. While I’m still a die-hard Mac lover, I’ll admit Microsoft has been making major improvements with its GUI design (despite other notorious issues) with Vista, and Ubuntu/GNOME has been getting better and better with each new release as well. But I really feel like 9.04, Jaunty Jackalope, has finally crossed the line where Ubuntu Linux now feels to me every bit as polished, professional, usable and pleasing as a commercial OS. The installation process is far easier, and faster, than a Windows installation, and the overall experience of the interface is clean, intuitive, and responsive.

So it occurs to me, even in this age of netbooks and Microsoft’s (and to a much lesser extent, Apple’s, at least where the Mac is concerned — iPhone is definitely their top focus these days) recent floundering, while Linux, Ubuntu in particular, is making inroads, it’s still just not going to be embraced wholeheartedly as a viable desktop alternative.

Why is that? Well, obviously Microsoft doesn’t want that to happen. Linux really much more of a threat to Microsoft than it is to Apple. Even though all three OSes can run on Macs, people as a rule just aren’t buying Macs to not run Mac OS X. I’m sure it happens but… really… why? So the major hit to commercial OS developers comes when a user buys a non-Apple computer and decides to install and use Linux (Ubuntu or otherwise) as their primary/sole OS instead of Windows. So even as Linux, and the world of free, high-quality software that comes with it, reaches maturity, and Microsoft gives us an OS that is best known as the butt of jokes (not to mention viruses and malware of all sorts), why aren’t more people switching?

Ultimately there must be some software that users are relying on for Windows that they just can’t get for Linux. It’s the same argument often leveled against Macs: “not enough software.” It’s a straw man argument. Sure there is vastly more software written for Windows than for the other OSes, but 99.9% of that Windows-only software is: a) highly specialized tools for specific industries, b) utter crap, or usually c) both. Especially when we’re talking about consumer software, whatever it is you want to do can be done just as easily on Windows, Mac or Linux. The software exists. Often between Macs and Windows it’s the same software, ported from one OS to the other or developed concurrently. With Linux it’s usually open source alternatives that are every bit as feature-rich as their commercial counterparts.

Linux has decent free options for managing photos, listening to MP3s, editing video, and all of the office tasks covered by iLife and iWork on the Mac, or by Microsoft Office and the parade of unimaginatively named Microsoft tools or OEM add-on crapware that generally comes preinstalled on Windows PCs.

Except one.

No disrespect to the developers of GIMP, but the one software program Linux absolutely needs in order to be taken seriously as a desktop OS is Photoshop. That’s it. Once Adobe stops wasting its time writing terrible custom installers and decides instead to devote those resources to porting Creative Suite to Linux, it will be all over. Windows will never go away, I’m sure, but it will be reduced to a niche OS: it will live on mainly to support legacy point-of-sale systems and industrial fabrication applications and the other arcane and ugly commercial applications that companies generally deployed in huge numbers back in the Windows NT 3.51 era and have left untouched for more than a decade.

Adobe, it’s all up to you. You owe the world a karmic debt after Bridge.

Censorship fail

I’m reluctant to use the word “fail” as a noun, just like I don’t like using “ramp” as a verb, or “Democrat” as an adjective. But I do appreciate the sensibilities of the likes of FAIL Blog (even though I’m not generally a fan of the ad-overloaded family of the “lol” sites it belongs to), and I’ve just come upon a great “fail” of my own, in the iTunes Store (or, as Apple would have it, “on” the iTunes Store):

Censorship fail.