Ironically, since this is on Funny or Die, not YouTube, he won’t be able to watch this video on it. (I still say the iPad doesn’t need Flash. It would be nice to have Vimeo and Funny or Die apps, like the YouTube app, though.)
Category: Computers & Technology
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You say you want a revolution? I say you want an iPad, even if you don’t think so yet
By now, lots of people have had lots to say about Apple’s latest revelation: the iPad. Opinions run the gamut from hating it (calling it a big iPod touch), to embracing it as a game-changing, revolutionary device (and calling it, essentially what Apple was working on all along).
The build-up
I’ve been thinking a lot about this device over the past couple of months, pretty much ever since I praised the litl. Even at that point, though I was skeptical that Apple was working on a tablet device, I suspected that, if they were, it would kill the litl. (And, somewhat presciently, I proposed an ideal target price of $499, which is exactly where the entry-level iPad is.)
A week earlier, I had also written about the debacle with the
CrunchPadJooJoo. At that point I was still extremely skeptical that Apple was working on a tablet. At the time I wrote:All the rumors say Apple’s tablet will be based on the iPhone OS, which seems more likely to me than a Mac OS tablet. But there’s too much about the iPhone “ecosystem” that just wouldn’t seem to translate to a larger tablet device, most obvious being the fixed display resolution. No way is Apple going to produce a device with a 10-inch screen and 480×320 resolution (even the original 1984 Macs had 512×384 displays), but by that same token, I don’t see the iPhone OS interface suddenly supporting multiple resolutions when there are over 100,000 apps all built around this one fixed resolution.
Of course now we know that Apple was working on a tablet, and it in fact does run all (well, most) iPhone apps. You can run them either at original size or pixel-doubled. But well before yesterday’s announcement, I had come to accept the general idea that Apple was working on a tablet device, that it would be based on the iPhone OS, and that, in many ways, it would resemble a “really big iPod touch.” At the same time, I also did come to believe that this was the device Apple had been aiming for all along; that the iPhone was just an intermediary step either to establish a market or simply to turn the huge amount of R&D that was going into this thing into a marketable product and bring some revenue into the project to help sustain the additional 3 years of work it required.
I’ve admitted before that up to the very minute of the iPhone’s unveiling I was denying that Apple would make a phone. I knew better than that this time around. The other half of that story is that, by the end of the keynote where the iPhone was revealed, I already desperately wanted one. I’m not so desperately craving an iPad (though I certainly would like one, especially based on first-hand reports of how amazing the user experience is), but that’s probably because I’m not the target of this device. But I know a lot of people who are.
What is a computer, and is that what you want?
Think about all of the things that a computer can do. And then think about all of the things you need to do to make a computer do the things you want it to do. Then think about all of the other things the computer can do that you have no use for. It’s all kind of a big headache, isn’t it? If you’re a “power user” like me — a programmer, a creator, a tinkerer — you’ll probably always want the flexibility, freedom, and power of a full-fledged computer. But think about people in your life who aren’t hardcore tech geeks. You probably have friends or family members who went kicking and screaming into the world of computing, most likely because it was the only reasonable way to access the Internet. The fact remains, plain and simple, that most computer users don’t need all of the things a computer can do; they don’t enjoy the hoops they have to jump through to get it to work; and, ultimately, they don’t understand their computers very well.
This is one of the expressed purposes of the litl: it’s a device techies can give to their non-techie relatives to do all of the basic computing tasks they want without constantly needing to call up the techie relative for support. But the litl falls short of that goal in two key ways: first, it is not designed to live in a household where there isn’t also a “real” computer; and second, at $699, it’s about $200 more than I think this kind of niche device should cost. There’s also an additional problem: it only offers WiFi, no 3G, so it’s not intended to leave the house — one of its creators even said as much in a comment here:
Why no 3G (at least not yet)? Wifi is still the best and most prevalent wireless networking technology at home where our device is intended to live (it’s not meant for road warriors). 3G has severe limitations when it comes to streaming video – wifi is superior here. Most home wifi is on all the time and the litl webbook is intended to remain on also. It’s a designer appliance for your home.
The litl is a designer appliance for your home. And yet it’s also supposed to be what you give Grandpa so he can look at the pictures of the grandkids that you’re posting on Flickr. You can’t have it both ways.
That dichotomy doesn’t exist with the iPad. The iPad has optional 3G, so you can take it anywhere (if you want), but most importantly, I can see the iPad existing by itself in a household that doesn’t own another computer.
Think about the things that most non-power users do with computers: They browse the web and send email. They listen to music and watch movies. They play games and read books. Occasionally they fire up Word (or whatever “lite” office suite shipped with their computers) to write a letter or do a little work from home. Guess what, the iPad does all of those things.
¡Viva la revoluçión!
I think the iPad revolutionizes the average consumer computer experience in a couple of ways. First, it eliminates all of the headaches of maintaining a computer or, for that matter, even learning how to interact with one. More on that in a minute. Second, it completely changes how computer users buy and install software. Everyone, even power users, hates the process of installing software. It’s tedious and slow, confusing and usually is presented in a convoluted and inconsistent way. But browsing the iPhone App Store is fun, and buying and installing software couldn’t be easier. The iPad brings that experience to general computing.
Back on the matter of maintenance and basic computer interaction: The biggest frustration I’ve had in providing support for friends and relatives who are not so computer savvy is the constant struggle they have with the basic interface of the computer. For people who haven’t devoted their careers to computing, like I have, the whole idiom of the graphical user interface (GUI) is perpetually confusing. What’s a window? What’s a cursor? What’s a menu? What’s a dialog box? What’s a scrollbar? I stare at a computer screen all day long; these things are as intuitive to me as the objects I deal with daily in the physical world. But that’s not the case for everyone. Even the process of using a mouse to move a cursor and interact with on-screen objects — arguably the most fundamental aspect of the GUI — is a level of abstraction a lot of users balk at. But the iPhone interface changed that. You acutally touch things with your fingers, move them around, pinch and stretch them. It’s fun, it’s intuitive, and it’s dead simple.
Sure, touchscreen interfaces have been around for years, and Windows-based touchscreen tablets have been available (if not exactly common for most of the last decade. But the GUI has essentially remained unchanged for over a quarter of a century. Just allowing a user to drag the on-screen cursor with their finger rather than with a mouse does not revolutionize the interface. Apple has reinvented the computer interface from the ground up with the iPhone and now the iPad. You were waiting for that inevitable revolution that would finally replace the GUI? Well, here it is.
And, for the geeks among us…
There’s one other, much more technical, reason why I am totally geeking out on the iPad though: HTML5. HTML5 is the “next generation” language of websites, promising new levels of interactivity and integration of multimedia into web pages that have up to this point been a tangled mess of proprietary and inconsistent plug-ins. HTML5 has been on the radar for years, but we web developers have had to drag our feet due to the glacial pace of adoption of new browsers. As long as a majority of users were still running Internet Explorer 6 — an ancient web browser that even Microsoft itself has by now denounced — our hands were tied regarding making full use of these new technologies. But the surging popularity of mobile devices, most importantly the iPhone but also Android-based smartphones, has opened up a huge new market where IE6 is irrelevant and HTML5-friendly browsers are the norm. Sure, you could use Firefox, Safari or Chrome (the only options for Mac users, and many smart Windows users have already made the switch), but here’s a brand new computing platform that brings all of these capabilities to a full-resolution (1024×768) screen.
Apple has wholeheartedly embraced HTML5 with the iTunes LP format, and it’s at the core of iBooks. Up to now, electronic books have typically been PDF-based, or some other, similar proprietary format. PDF is great, but it’s also an old format, and is fairly limited. HTML5 provides an easy way for content creators to enhance their presentations with fully-integrated audio and video, not to mention the interactive possibilities that CSS3, JavaScript, and offline data storage allow. This format makes it possible to create full, standalone applications as easily as creating a website (which, believe me, is easier than creating a full-fledged application in a traditional programming language). Sure, others have embraced this kind of web model, notably Palm, but only Apple has just the right mix of factors — market share, hardware/software integration, and, let’s face it, vision — to push something like this in the way to make it catch on.
You want it, you just don’t know what “it” is yet
There’s plenty of criticism of some of Apple’s practices — the iPad, like the iPhone, is a closed system; there’s DRM all over it; Apple is the gatekeeper for just about anything that goes in or out of the system. I can’t argue with those criticisms, other than to say, no one is forcing you to buy an Apple product. But those limitations are a trade-off for what Apple’s products offer: a uniquely integrated, incredibly polished, revolutionary experience. And, despite Apple’s lockdown of the top layers of the system, there’s openness at the core: Mac OS X and iPhone OS are based on an open source core and Apple is aggressively promoting the use of open standards like HTML5/CSS3 as the way to do things. Could it be more open? Of course it could. But then it wouldn’t be Apple. Open platforms are chaotic platforms. If you want to tinker with the system, or you just fundamentally believe in the principle of open software, then go get a Nexus One (and try to convince yourself that Google, deep down, believes in open systems too).
The arguments over open platforms could go on all day, but in the end I think it comes down to this: it has been Apple’s (and, largely, Steve Jobs’) vision for amazing — in Jobs’ long-echoed words, “insanely great” — technology devices that has driven these markets forward throughout the past decade. Do you think MP3 players would be where they are today if Apple hadn’t produced the iPod? It wasn’t the first MP3 player, but it fundamentally changed what an MP3 player is. Do you think we’d be talking about “apps” and that everyone would be carrying the Internet in their pockets if Apple hadn’t produced the iPhone? It wasn’t the first smartphone with Internet access, but again, it fundamentally changed what a smartphone is.
And now, the coup de grâce: the iPad. I won’t go so far as to say it changes what a computer is, on a fundamental level. But it creates something new: a consumer device that is a permanent replacement for consumer-grade computers. It’s what most people have wanted all along, but settled for a computer because what they wanted didn’t exist. Yet. And now it does.
The good, the bad, and the Apple
Ultimately, is it “all that”? I think the experience of using it, and what it represents for transforming the consumer computer industry, transcends what a list of its tech specs and features can convey. But in basic, concrete terms, it pretty much ended up being exactly what I was anticipating by now in terms of what it looks like, what it does, and how you interact with it. I was least surprised by its name — I had long suspected (though it’s easy to claim so after the fact) that it would be called the iPad, connotations of feminine hygiene products notwithstanding. There were, however, three things that genuinely surprised me, two good and one bad:
The good: 1) Price. I was hoping for, but not expecting, a price under $500. Granted, that’s just the entry-level model; they run as high as $829. But the fact that you can get an iPad for $499 is huge. 2) The A4 chip. I had absolutely no expectation that Apple would be developing a custom processor for this thing; it was not on my radar whatsoever. But from what I’ve read, this custom-built, highly-optimized chip is the key to the iPad’s blazing speed and overall awesomeness.
The bad: AT&T is the exclusive provider of 3G access. Seriously? This is a bit of a double-edged sword. I’m glad 3G is an option at all; the iPad easily could have shipped as a WiFi-only device, like the litl. But I, and many others, expected yesterday’s announcement to include Apple’s long-awaited untethering* from AT&T for the iPhone, and, needless to say, for the new iPad as well. Boo.
The Apple: No Flash. OK, this didn’t surprise me one bit, so I didn’t mention it above when I cited three surprises. But I needed to complete the pun I started in the header of this section, so here you go. No Flash. Never had it, never will. And like John Gruber (and for exactly the same reasons), I believe that’s a good thing. I recognize the seeming contradiction of criticizing Adobe for a closed system like Flash while praising Apple’s own closed systems, but there are some fundamental differences that, well, make all the difference. Apple’s closed systems are at the hardware and (locally-installed) software level. Adobe’s closed system is on the Internet — in the “cloud” in contemporary parlance. Adobe’s closed system is something that floats around out in the otherwise open, standards-based world of the Internet. It’s a way for Adobe to wall off part of the Internet in a bubble that it controls.
This is bad for a hardware maker like Apple, because as Gruber says, it prevents them from being able to fix problems caused by the fact that Adobe’s bubble isn’t sealed up quite as tightly as it should be (and, of course, it is a back door to allow people to bypass Apple’s systems). It’s also bad for us content creators because we’re beholden to Adobe to get our content online (in the form of having to buy Adobe’s high-priced software), and we’re dependent upon Adobe’s continued existence (and goodwill) to keep things running. What if Adobe goes out of business, or just abandons Flash? What happens to our Flash-based content then? HTML and JavaScript will never go out of business, because there’s no single corporate owner acting as gatekeeper over those technologies. And that is a fundamental difference between what Adobe is keeping closed vs. what Apple is.
* Pun intended, and kudos to you, geek that you are, for picking up on it.
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Help! I’m stuck in the ’60s!
A strange thing is happening to me. I’m suddenly feeling compelled to cultivate a long-dormant interest in 1960s pop culture (specifically, music and movies, and the graphic design associated therewith).
It’s not like I’ve never been “into” the ’60s. There’s plenty of ’60s music I like, especially the hard bop and early electric jazz from the likes of John Coltrane, Wayne Shorter, Herbie Hancock and Miles Davis. And the early prog rock albums of Yes, King Crimson, et al, even though most of that didn’t happen until the very end of the decade (1969). And then, of course, there’s The Beatles. Need I say more? And I’ve always enjoyed the visual aesthetic of the ’60s, from the tail end of Mid-Century Modern into the psychedelia of the Woodstock era. But I’m a child of the ’70s at heart (and biologically). I’ve always been more into ’70s music and ’70s aesthetics than ’60s music and ’60s aesthetics. But over the past few days I’ve found myself thinking more about the decade preceding my birth.
It all started when I showed the kids Help! That’s the surreal, hypercolor second Beatles film: part Marx Brothers, part James Bond, part (as Martin Scorsese suggests in the liner notes to the DVD) proto-Monty Python, with the first hints of the psychedelic fantasy of much of the band’s late work. It’s no Yellow Submarine, not even Magical Mystery Tour. But it’s definitely more “out there” than A Hard Day’s Night, the band’s “mockumentary” (before the term existed) debut film from the previous year.
The kids loved it, and I did too, more than I remembered from the one and only time I had seen it before, back in college. They watched it again today (twice). And that got me thinking more about The Beatles. I already own the boxed set (stereo version… though I’d happily accept the mono box as a gift if you’re feeling generous), but I’ve never owned (nor even heard) Let It Be… Naked, the 2003 re-release of the band’s final album stripped of the orchestral excesses slapped on the original release by Phil Spector without the band’s input. So I headed over to Amazon and bought it. While I was at it (gotta get that Super Saver shipping, you know), I also threw in a couple of kitschy ’60s classics my CD collection has been woefully missing: Herb Alpert’s Whipped Cream & Other Delights and the self-titled release by Sergio Mendes & Brasil ’66.
What led me to those, besides my general spirit of ’60sphilia? That’s easy… after watching Help! I put The Beatles on shuffle in iTunes, and their recording of “A Taste of Honey” (from their debut, Please Please Me) came on. I’ve never really been into the band’s earliest albums (having never even heard the albums before Help! in their entirety until I got the boxed set in September), and I had more or less been completely unaware they’d even covered this song, which, of course, was also given the Tijuana Brass treatment on… Whipped Cream & Other Delights. From there it was a small hop to Sergio Mendes, who, incidentally, was fond of covering Beatles songs, including “Day Tripper” on the album I ordered.
Small world, the ’60s.
A few other things I noticed, watching Help! last night:
- I’ve spent years listening to Paul sing “Flew in from Miami Beach BOAC” in the opening line of “Back in the USSR,” never really knowing what BOAC was… but assuming it was an airline. Well I noticed in the beginning of Help! that the sinister swami Clang (played, rather absurdly, by Australian actor Leo McKern) is given a BOAC airline ticket by Ahme (also absurdly played by English actress Eleanor Bron). (Of course, I could have just consulted Wikipedia.)
- Late in the film, when all of England joins in singing Beethoven’s Ninth Symphony to soothe the escaped tiger threatening Ringo’s life, I noticed that the soccer match is between Burnley and Tottenham Hotspur, the latter being a favorite team of some Premier League loving friends of mine who frequent The Local on Saturday and Sunday mornings to catch the Spurs’ matches.
- The one thing from the film that made a lasting impression on me 15 years ago, when I first saw it, was the Beatles’ delightful set of rowhouses, which all open into one large space (divided into four separate living areas, by color). George’s green space, with its indoor lawn; Paul’s white space, with its illuminated organ that rises from the floor; John’s brown space with a bed and reading nook embedded in the floor; and Ringo’s blue space with assorted food and beverage vending machines built into the wall. The moment when they all approach their own individual doors from the street, and then walk into this single open space is priceless.
I think, though, more than anything else, the thing that makes the biggest impression on me, seeing The Beatles in “living color,” engaging in their mid-’60s silliness, is the splash from the trailer (below): “Seven new songs!” The songs in this movie are woven so deeply into the fabric of my life, and of our culture, that it’s almost incomprehensible that they were brand new when this movie was made, written expressly for the movie. As much as I can relish the experience of watching this movie and listening to the music, there’s no way I can ever experience the ’60s as something fresh and new, with all that has happened in the 40+ years since then (including the entirety of my life) still waiting in the mysterious and unknowable future.
I actually remember the ’70s. Sure, it’s the late ’70s, and they’re the faded and fuzzy memories of a small child. But I still have firsthand memories of that period in history. I remember when disco was popular and Jimmy Carter was president. But I will never know a time when The Beatles were actively recording new music. I’ll never know the feeling of anticipating new Beatles music. The closest I’ll ever come is playing Beatles Rock Band. And that’s the strangest thing about introducing my kids to the music and the wonder of The Beatles. They love it… they’re just eating it all up. And that’s great. But I remember when my mom introduced me to them as a kid, and they were already an artifact of history.
Ultimately the most exciting thing about all of this is that it’s even possible for me to explore the ’60s at all. The technologies that came into widespread use in the 20th century allow me to hear this wonderful music that was played before I was alive, and to see people on an illuminated screen, moving before my eyes, doing things that they did a decade before I was born, and four decades before my kids were born. In all the previous hundreds of millennia of human history, there was no way to capture the sound of a human voice, the exact look of a human face, the idiosyncrasies of an individual’s movements, and record them for the benefit of future generations. And now we live in an era where technology is so incomprehensibly advanced, and moving ahead so rapidly, that the iPods Apple produced just 5 years ago seem quaint, and thereby the scratched film and vinyl of the analog era, of the 1960s and beyond, appear positively ancient. Yet someone living even a century ago would be amazed at what was waiting just a few decades hence, and someone from a hundred years before that would not even believe a horseless carriage could be possible, to say nothing of an airplane… or an iPhone.
Wow… well, needless to say, I didn’t set out to get this heavy when I started writing this post. But it certainly sheds some light on why I have such a passion for technology. Now I’ll end on a lighter note: as promised, the original trailer for Help!
Update (August 30, 2023): Well, I stumbled upon this old post today, and realized the video above wasn’t working… because it was using an old Flash-based embed code. But as it turns out, that didn’t matter, because the video itself had subsequently been taken down from YouTube. So, for the moment, I’ve restored it by finding another copy of the trailer on YouTube, unfortunately squished horizontally, but still… you get the gist. And now in another ~15 years (when I’m… wait for it… 64) I’ll revisit this and see what other aspects of the technology have become obsolete.
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Little by litl, I’m being won over…
Last week I ripped on longwinded, narcissistic douchebag tech bloggers, indirectly ripping on the fandango that is (or appears to be) the JooJoo along the way. I can be a bit of a snark at times, and I take pleasure in ripping on things. But it’s a hollow pleasure, and it leaves a bad taste in my mouth.
On the other hand, I do occasionally take the much rarer pleasure of delighting in something really cool… in Steve Jobs’ words, from the days of the original Macintosh project, something insanely great. But those “insanely great” things don’t come along very often. And along the way, there are a lot of false alarms. Many things claim to be the “next big thing” (even if big means being… “little”)… some even go so far as to claim to be… “it.” But in the end, they just turn out to be the Segway. No thanks.
Netbooks have been the “next big (little) thing” for a while now, and although I do see their appeal, they all just seem like cheap, underpowered, too-small laptops. Building a tiny device and then putting Windows XP on it is not going to change the world. Yawn.
But then a few weeks ago I heard about another next big thing, called the litl. Part of the hubbub surrounded the fact that there were some heavy hitters in the design world involved in its creation. This was not just another tiny computer made out of cheap plastic, running an 8-year-old OS from Microsoft. This was something different.
But still, it seemed kind of silly to me. Why would I want a netbook that stored all of its data in “the cloud” (especially given some of the notorious problems “the cloud” has had lately), and especially why would I want one that doubles as a digital photo frame. Yawn… maybe.
Tonight I was reading Slashdot when… of all things… a banner ad caught my attention. I’ve clicked on banner ads maybe 3 times in my entire life, but this was a banner ad for the litl, and it intrigued me. So I clicked, and began to discover that there may, in fact, be some really cool things about the litl that make it worth some serious attention. There’s a litl blog where you can read some press the litl’s been getting, along with some background info on (and from) the team, including some pretty interesting videos. My curiosity is piqued. I’d love to see one of these things in person. I think, as superficial as it may sound, whether or not I would ultimately be interested in a netbook of any kind is determined largely by how cheap the plastic it’s made out of feels. It’s kind of hard to tell from the videos, but one thing I can tell is that a lot of care and love went into creating this thing, and it’s unlike any netbook out there today. Have a look at these videos to see what I mean:
The card concept is cool. This is truly a revolutionary interface… it’s what the JooJoo dreams of being.
I’m still hesitant about having all of my data in the cloud — does this mean you have to be connected to WiFi to be able to do… well… anything with the litl? I didn’t see anything about 3G access. And what happens if there’s a catastrophic server failure? Does litl (the device) become a fancy paperweight while litl (the company) scrambles to get things back up and running? What about privacy and security? (I’d be surprised if these questions aren’t addressed somewhere on their site; I just didn’t encounter those answers yet. And they’re questions any sensible potential customer is going to want answered before they hand over their money.)
Not quite an Apple package design, but close. And this looks like it might actually be made out of post-consumer recycled materials. That’s a plus. I like the overall attention to detail. The people who made the litl love their work, and they want you to love it, too.
Will I get one? I’m not exactly itching to drop $699 on this, or anything else, at the moment. I’d like to see it priced at $499 or less. I’d also like to, you know, see it. In person, I mean. I like the money-back guarantee, but I still think they need to have some retail presence for the litl to really take off.
Consider me impressed. I think this has the potential to be something “insanely great.” I’ll be interested in seeing where this leads… and, if the long-rumored Apple foray into this niche actually happens, how the litl will affect it, or not, and vice versa.
On the other hand, maybe I’m just being seduced by decadent marketing.