In addition to my various and sundry ongoing personal projects, musical and otherwise, I am presently assembling a compilation of Room 34 “greatest hits” (so to speak) from the 3 EPs and 3 full-length albums I’ve produced (so far) in 2008-2009.
I’ve worked out the track list, and am currently playing around with the sequence. I’m also going to be remastering all of the tracks and remixing a few of them (mostly from Unnatural Disasters, my 2008 RPM Challenge album, because I’ve never been satisfied with the mastering on that album.
The full compilation is likely to be completed and released in October. (This delay is mostly to allow for the inclusion of tracks from Burnt Snow, which is being distributed exclusively by Sidedown Audio through the end of September.)
Stay tuned for more details about this project (and others) as it progresses. But for now, here’s a sample: the remixed version of “Unnatural Disasters.” Enjoy!
I worked with CDBaby to get the album on iTunes, Amazon MP3, Rhapsody, and several other digital distribution sources. So far, I am very pleased with the results. So please, if you’re considering buying my album digitally, support my presence on iTunes with a purchase… and a review!
Update June 18, 2008: The album is also now available for download on Amazon MP3.
As you probably know if you’ve read any of my writings here, or have by chance listened to my album, Unnatural Disasters, I have a morbid fascination with North Korea’s never-to-be-completed Ryugyong Hotel. So I was pleased to see that this wondrous failure has achieved a new level of notoriety, having been designated earlier this year by Esquire magazine as “The Worst Building in the History of Mankind.” Sweet. Like the best Onion articles, it’s worth reading to the very last line, but since I can never hold back on a punch line, I’ll save you the trouble: “[The Ryugyong Hotel] is the closest humans have come to building a Death Star.”
Last week I finished a “remastered” version of my new album, Unnatural Disasters. Sure, it’s barely a month old, but I’m still perfecting my “studio” (such as it is) techniques, and even though this new version wasn’t done in time to become my official RPM Challenge submission, I consider it the definitive version of the album. I’ve also thrown in my secondary RPM project, Technetium, as a bonus track. (Sure, this bonus track is longer than all 9 tracks on the actual album combined, but it all still fits nicely onto one CD. You do miss out on the great coverart, though.)