I am pleased to announce the immediate availability of my new EP, the one I’ve been talking about for the past several blog posts… Mellotronic: Far Out Sounds! (And Other Space-Age Hyperbole). Yay! (Ugh, is that really, really how it’s spelled now? Really?)
But… well… Houston, we have a problem. (Sorry, had to say it, what with the “Lunar Landing” track and all.) I noticed when I was uploading my tracks that, for some reason, the title track always showed up with a running time of 0:00, instead of the correct time of 4:44. The other songs show up fine, but no matter how many times I tried uploading “Mellotronic,” it always came up as 0:00. But when I played the sample in the account area, it worked fine, so I figured, we’re good to go.
Not so fast. I just went onto the actual page where visitors see and purchase the album, clicked the button to listen to the clip and… what the hell??? It’s not my song, but the Three’s Company theme song. Three’s Company!!!
Hmm… well, OK, are there any brave souls out there willing to shell out a buck and see what you get when you actually buy the song? (I guess I should just contact their tech support, but this is getting kind of fun… I’m curious what’ll happen next.)
My new 3-song EP, Mellotronic: Far Out Sounds! (And Other Space-Age Hyperbole) is finished and streaming now!
The official release date for the CD and MP3 downloads is July 20, 2008 in honor of the 39th anniversary of the Apollo 11 moon landing.
Tonight I proudly finished up the mastering of my new EP, and along the way I spent some more time exploring the blog where I found the great Mellotron promo film I grabbed some found speech from for one of my tracks.
Sadly for my sense of musical self-worth, I also discovered this video, which just makes me wonder why I am even bothering, when I’m so far behind this guy:
I’ve just finished designing the cover art for my new EP, Mellotronic: Far Out Sounds! (And Other Space-Age Hyperbole), and I just wanted to share it.
The EP is a tribute to the Mellotron, and features extensive use of the instrument. (OK, it’s really a software instrument with meticulous digital samples of real Mellotrons, but take the Pepsi Challenge if you care.) You can learn more, and listen once the tracks are completed, on the dedicated page.
Also… I’m looking for a high-quality scan of one of those old 45 RPM adapters, the kind that sticks right into the big hole in the record. I haven’t found any online yet, and darned if I can scrounge up an actual one in the basement to scan myself. I can live without it, but I would really like to have one to incorporate into the package art if possible. Anyone?