Tag: Logo Design

Brand New: Room 34 Edition

I’m a big fan of the blog Brand New. I like seeing the “before and after” of various brand identities.

Lately I’ve been contemplating a brand refresh of my own. I’ve been mostly satisfied with the current Room 34 Creative Services logo. I really like the “rings” design element, the color palette, and, even though it’s overused, the Avenir font:

But there are some things I don’t like about the logo. I’ve been getting a little tired of the colors (even though I like them); I’m increasingly regretting including the “.com” (even though I like the fact that my logo is my web address); and I don’t like the redundant “Room 34.” Plus, Avenir is overused.

So, today I took a first stab at a new identity. It has a new color palette, using one of my favorite colors, reddish-orange (or vermillion if you prefer a more poetic name for it), it eliminates the redundant text, and it switches to another of my favorite, but much less common, fonts: Proxima Nova:

I’m not 100% committed to this change yet; rebranding is a big undertaking, even for a business as small as mine. Switching to this new logo will require redesigning my website, my letterhead and my business cards. But I like the direction. I especially like the letterforms (or, I guess, numeralforms) of the “3″ and “4″ in Proxima Nova Black. So nice. The new logo is also more compact and scales down better than the old.

Update: Based on JW’s excellent recommendations (and a few observations of my own) I’ve made a few adjustments: 1) improved spacing between the “o’s” in “room”; 2) resized the rings slightly for better lockup with the text — the top of the “4″ ring group is now aligned with the top of the letters in “room”; 3) slight change to the color in “CREATIVE SERVICES” so it is more readable on either a light or dark background.

Here’s the new version, on both white and black:

New Room 34 logo, revised
New Room 34 logo, revised

As long as I’m complaining about advertising…

Pepsi, what were you thinking?Yes, I am annoyed with the fundamentally stupid concept of the Cupcake in Bloom. And the guy in the Qwest ads, in the words of one reader, “just screams of d-bag.” But perhaps nothing in in the world of advertising, circa early 2009, is as ubiquitous or incomprehensible as Pepsi’s hideous new logo.

It’s even more hideous when you discover the full hogwash design pseudo-philosophy behind its creation. To that end, Brand New is here to help.

I think this really sums it up though. And no, you are not alone if you think it bears a striking resemblance to Strong Sad.

Then again, now more than ever there’s no such thing as bad publicity, and this whole thing has gotten me thinking a lot more about Pepsi than I ever would have otherwise. But I’ll still only drink it when there’s no Coke products in the soda fountain.

Obama: anatomy of a logo

OK, I will admit it. The first thing (OK, the second thing; his speech at the 2004 DNC was the first) that piqued my interest in Barack Obama was the sight of his logo on a sticker, way early on in the primary campaign (like, summer of 2007 early). It was clear right away that Obama had the best design team in the history of political campaigns working for him.

Let’s take a look at what makes this logo so great. Ultimately what it boils down to is that every detail is imbued with relevant meaning, and the overall result is very aesthetically pleasing.

First, it’s an O, for Obama. No-brainer there. It incorporates the requisite colors: red, white and blue. But what it does with them, and with a few simple shapes, is brilliant. The red and white stripes of the U.S. flag are there as well, blended into an unmistakable and powerful image: the sun rising over a rural American hillside (a cornfield, no less) into a perfect, clear blue sky. Now that’s “morning in America.”

On a related note, I’ll leave it to you to interpret the meaning of the logo’s appearance in a John McCain commercial.

On another related note, this.